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Index of Press Reviews 中文 [1] “Chinese Painting ‘Comrade Captain’”, with the picture of Comrade Captain (ink and color on paper), China Art Expo, catalogue of China Art Expo in Guangzhou, published in November 1993, Guang Zhou, p.138 [2] “Plum Blossoms Gallery brings artists to New Trends”, TA KUMG PAO, Hong Kong, February 25 1994, p.13 [3] Fu Shi, “The International New Trends”, with the picture of The Story of Beijing No.3 (ink and color on paper), Hong Kong Today, Hong Kong, March 3 1994, p. B16 [4] “The International New Art Trends - Plum Blossoms Gallery”, with the picture of The Story of Beijing No.3, Hong Kong Daily News, Hong Kong, March 4 1994, p.27 & p.30 [5] “The International New Art Trends”, with the picture of The Story of Beijing No.3, TV Daily News, Hong Kong, March 8 1994, p.5 [6] Josie Brennan, “Old faces take the gleam off New Trends”, Hong Kong Standard, Hong Kong, March 9 1994, p.15 [7] Wen Jing-ying, “Soldier Painter Zhu Wei”, with the picture of The Story of Beijing No.3, Hong Kong Economic Journal, Hong Kong, March 11 1994, p.44 [8] “The International New Art Trends - galleries are satisfied”, Overseas Chinese Daily News, Malaysia, March 11 1994, p.30 [9] Zhou Mi-mi, “Style of Prints”, report of the new faces in the International New Art Trends, United Daily News, Taiwan, March 15 1994, p.13 [10] Eduardo Cicelyn, “Un Paladino oltrepassa La Grande Muraglia”, about artist Zhu Wei and his studio in China, Naples Morning Post, Italy, March 27 1994, p.21 [11] Meta Raine, “Contemporary Developments in Hong Kong”, ARTnewsletter, United Kingdom, April 5 1994, p.8 [12] Mai Wei-jie, “Dragon Art”, report of the International New Art Trends, with the picture of The Story of Beijing No.3, Pace Interior Beauty, Hong Kong, May 1st 1994, p.102 [13] “Recent Oversea Activities of Painters from Mainland China”, Artists’ Newsletter Bulletin, China, June 1994, p.22 [14] Guo Jia, “Enter into another character - reading Zhu Wei’s works”, with the picture of painting The Story of Beijing No.11, Art World, China, June 1994, p.31 [15] Steven Knipp, “Mee-Seen Loong - Vice-president Sotheby’s”, with the picture of painting Sweet Life No.4, Eastern Express, Hong Kong, September 10th 1994, p.50 [16] “Hong Kong Art Fair”, with the picture of painting Sweet Life No.1, Oriental Daily News, Hong Kong, October 7th 1994, p.3 [17] “The International Art Fair offers so much”, with the picture of painting Sweet Life No.4, Ming Pao Daily News, Hong Kong, October 20th 1994, p.G1 [18] Zheng Zhen, “Hong Kong Art Fair”, Beijing Evening, Beijing, October 24th 1994 [19] “The Story of Beijing Exhibition - reveal the truth of life and art”, with the picture of painting Descended from the Red Flag No.1, Tin Tin Daily News, Hong Kong, October 30th 1994, p.14 [20] Yuan Hui-er, “The vision version of the Descended from the Red Flag”, with the picture of painting “New Positions of the Brocade Battle No.4”, “Descended from the Red Flag No.1”, “Descended from the Red Flag No.6”, “The Story of Beijing No.25”, “The Story of Sister Zhao No.5”, “Comrade Captain”, and “Sweet Life No.1”, Express, Hong Kong, October 31st 1994, p.43 [21] “Zhu Wei- The Story of Beijing”, with the picture of painting “New Positions of the Brocade Battle No.4”, “Descended from the Red Flag No.1”, “Descended from the Red Flag No.6”, “The Story of Beijing No.25”, “The Story of Sister Zhao No.5”, “The Story of Sister Zhao No.6”, and “Comrade Captain”, Hong Kong Daily News, Hong Kong, 1994, p.18 &19 [22] “Zhu Wei——The Story of Beijing”, exhibition forecast, with the picture of painting Sweet Life No.2, Orientations , Hong Kong, November 1994, p.47 [23] “Hong Kong International Art Fair, Asian Artworks Come Forth”, with the picture of painting Sweet Life No.4, Marie Claire, Hong Kong, November 1994, p.202 [24] “Beijing based young artist Zhu Wei shows his new paintings in Hong Kong”, with the picture of painting Sweet Life No.1, United Daily News, Taiwan, November 8th 1994, p.7 [25] Wen Hai, “朱伟长于斯画于斯”, with the picture of painting Comrade Captain, Ta Kung Pao, Hong Kong, November 10th 1994, p.24 [26] Ma Qiao-ru, “Young artist Zhu Wei devote himself to traditional art, Make the past serve the present and bring forth the fresh”, with the picture of painting Sweet Life No.4, Hong Kong Commercial Daily, Hong Kong, November 10th 1994, p.B7 [27] Liu Ka-men, “The absurd uncanny Beijing Imago under Zhang Gong and Zhu Wei’s brush”, with the picture of painting Bejing Story No.25, Hong Kong Economic Times, Hong Kong, November 11th 1994, p.31 [28] Li Jie-qin, “Paint under the same red flag, with different sky”, with the picture of painting Descended from the Red Flag No.3, Overseas Chinese Daily News, Malaysia, November 14th 1994, p.38 [29] Hu Xin-xin, “Zhu Wei - The Story of Beijing”, with the picture of painting Comrade Captain, Descended from the Red Flag No.5, Sweet Life No.4, Sing Tao Daily, Hong Kong, November 14th 1994, p.B13 [30] Du Du,, “Era of Gambol: Zhu Wei-The Story of Beijing”, with the picture of painting Descended from the Red Flag No.3, Hong Kong Economic Journal, Hong Kong, November 14th 1994, p.24 [31] Angelica Cheung, “Rebel with a cause that is all his own”, with the picture of painting Sweet Life No.1 & No.4, Eastern Express, Hong Kong, November 14th 1994, p.17 [32] Liu Li, “Take of his uniform, Zhu Wei paints the distorted people under red flag”, with the picture of painting Sweet Life No.1 & No.4, Ming Pao Daily News, Hong Kong, November 15th 1994, p.G4 [33] “Stephen McGuinness (owner of Plum Blossoms Gallery) artworks is a business for me”, with the picture of painting Descended from the Red Flag No.3 & No.6, Leisure Pie, Hong Kong, November 18th 1994, p.9 [34] Hugo Restall, “Art Gala，Hong Kong-Style”, The Asian Wall Street Journal, Asia, November 18th 1994, p.8 [35] Xian, “Painter’s Beijing Stamp”, with the picture of painting The Story of Beijing No.25, Descended from the Red Flag No.1 & No.6, Sweet Life No.1, and Comrade Captain, Oriental Sunday, Hong Kong, November 20th 1994, p.172 [36] “Eastern Red”, about artist Zhu Wei and his exhibition The Story of Beijing, with the picture of painting The Story of Beijing No.25, Sweet Life No.1 & No.4, Eastweek, Hong Kong, November 23rd 1994, p.151 [37] Li Yao-hua, “He telling stories by painting”, with the picture of painting Sweet Life No.4, The New Evening Post, Hong Kong, November 23rd 1994, p.12 [38] “A PLA without gun, Zhu Wei paints ink and color ‘square accounts after the autumn harvest’”, with the picture of painting Descended from the Red Flag No.4, Pictures of the Strikingly Bizarre - Square accounts after the autumn harvest, China Red - Fashionable Dress, Sweet Life No.4, and The Story of Sister Zhao No.4, Express, Hong Kong, December 1st 1994, p.48 [39] “Zhu Wei - The Story of Beijing”, with the picture of painting New Positions of the Brocade Battle No. 4, Descended from the Red Flag No.1 & No.6, The Story of Sister Zhao No.4 & No.5, Comrade Captain, and Sweet Life No.1, Ming Pao, Hong Kong, December 25th 1994, p.66 [40] Helga Lasschuijt and Roger Taylor, “China Art Expo 1995”, November 1994, from the art China’s website: www.chinart.com [41] Susan Dewar, “Report from Hong Kong, Guangzhou and Beijing”, about art news in the three cities, with the picture of painting Comrade Captain, Orientations, Hong Kong, February 1994, p.67 [42] Valerie C. Doran, “The Commerce of Art”, with the picture of painting Comrade Captain, analyze the business of contemporary Chinese art, Art Asia Pacific, U.S.A, 1994 Spring Issue, p.24 ~27 [43] Fan Di-an, “Crossing cultural boundaries: The New Horizen of Chinese Art”, with the picture of painting The Story of Beijing No.3 & No.20, catalogue New Trends - Art Hong Kong, Hong Kong, March 1994, p.16 & p.99 [44] Catalogue The Story of Beijing, 135 pages, 59 colour plates, essay by don cohn, jia fang-zhou, and jeffery hantover, softcover, published by Plum Blossoms (International) Ltd., 1994. [45] Catalogue Tresors – The International Fine Art And Antiques Fair for Asia, with the picture of ink painting The Story of Beijing No.20, published by Bradbury (International) Services Pte. Ltd., 1994, Singapore, p.145 [46] “Keeping Hong Kong Clean——finding antidotes to corruption”, with the picture of painting Sweet Life No.4 (front cover), and The Story of Beijing No.9, AmCham Business, U.S.A, January 1995, front cover & p.7 [47] Tao Xiao-ming, “Eastern art is growing up - about the third International Asian Art Fair”, China Art Weekly, China, February 2nd 1995, p.1 [48] Chen Zan-yun, “Experience the 1994 International Asian Art Fair”, with the picture of painting The Story of Beijing No.3, Taiwan Dragon, Taiwan, January 1995, p.54-58 [49] “’Zhu Wei - The Story of Beijing’ International Exhibition”, with the picture of painting Sweet Life No.5, Harper’s Bazzar, Hong Kong, February 1995, p.123 [50] “The Opening Party of Zhu Wei’s Exhibition”, with the picture of painting Sweet Life No.5, RYUKO TSUSHIN, Hong Kong, March 1995, p.121 [51] “The Story of Zhu Wei”, B Internationa, Hong Kong, March 1995, p.73 [52] Joan Lebold Cohen, “Zhu Wei at Plum Blossoms”, with the picture of painting The Story of Beijing No.3, Asian Art News, Hong Kong, March/April 1995, p.82 [53] “Report from Singapore”, with the picture of painting The Story of Xiulia No2, Orientations, Hong Kong, December 1995, p.76 [54] Jin Zhong, “Culture Repatriation and Culture Northern Expedition”, with the picture of painting Sweet Life No.4, Wen Yi Pao (The First Issue), Hong Kong, May 1995, p.22 [55] Yan Zhang, “A. Adler’s culture complex and Chinese national dispositions”, with the picture of painting “Pictures of the Strikingly Bizarre - Square accounts after the autumn harvest”, Wen Yi Pao (The First Issue), Hong Kong, May 1995, p.28 [56] Zhong Zu-kang, “Patriotism in Mainland China”, with the picture of painting The Story of Beijing No.3, Wen Yi Pao (The First Issue), Hong Kong, May 1995, p.34 [57] “Zhu Wei and his paintings”, with the picture of painting The Square No.11, Ming Pao Daily News, Hong Kong, July 12th 1996, p.D1 [58] Wu Yin, “The Taboo without Restraint - Zhu Wei’s Exhibition”, with the picture of painting Beijing Time No.1, Singapore Zaobao Daily, Singapore, May 1996, supplement [59] Iola Lenzi, “Conflict into harmony”, report of the artist and artist’s works, with the picture of painting “Pictures of the Strikingly Bizarre - Drunk Drive No.1” and “Beside the Girls No.6”, The Business Times, Singapore, May 24th 1996, [60] Exhibition Review, with the picture of painting The Square No.12, Hong Kong Magazine, Hong Kong, May 24th 1996, p.21 [61] “Beijing based painter Zhu Wei’s Exhibition: China Diary”, The New Evening Post, Hong Kong, May 26th 1996, p.16 [62] “Political color, ‘Zhu Wei-China Diary’”, with the picture of painting “Pictures of the Strikingly Bizarre - Drunk Drive No.1”, Ming Pao Daily News, Hong Kong, May 28th 1996, p.D1 [63] “Zhu Wei’s Exhibition”, with the picture of painting “Pictures of the Strikingly Bizarre - Drunk Drive No.5”, Oriental Daily News, Hong Kong, May 29th 1996, p.E9 [64] “Zhu Wei - China Diary”, with the picture of painting Comrades, South China Morning Post, Hong Kong, May 31st 1996, p.16 [65] Hilary Binks, “An Original：Zhu Wei”, with the picture of painting China Diary No.7 & Tightrope No.6, WINDOW, May 31st 1996, p.42 [66] “Today’s Culture”, report on Zhu Wei’s exhibition China Diary, Ta Kung Pao, Hong Kong, June 6th 1006, p.B6 [67] “Zhu Wei China Diary”, Hong Kong Magazine, Hong Kong, June 7th 1996, p.48 [68] “Zhu Wei - China Diary”, South China Morning Post, Hong Kong, June 7th 1996, p.12 [69] Angelica Cheung, “Cultural Conflict”, with the picture of painting Box No.2 (front cover) and Comrades, ASIAWEEK, Hong Kong, June 28th 1996, p.40 & front cover [70] Catherine Shephero, “The Chairman’s Little Girl——A child’s eye view of the Cultural Revolution”, with the picture of painting Beside the Girls No.6, ASIAWEEK, Hong Kong, July 5th 1996, p.54 [71] Ian Findlay, “Unpredictable Times”, with the picture of painting The Square No.11, Asian Art News, Hong Kong, July/August 1996, p.40 [72] Parker Robinson, “A PLA soldier-turned-painter casts a childlike and perceptive eye on life in Beijing”, with the picture of painting China Diary No.18, Box No.2, and Beside the Girls No.3, Asia Inc., Singapore and Malaysia, August 1996, p.72 [73] “Descended from the Red Flag No.4——Ink and color on paper by Chinese artist Zhu Wei”, with the picture of painting Descended from the Red Flag No.4 (back cover), Reader’s Digest, U.S.A, August 1996, back cover [74] Scarlet Cheng, cover story “Art Attack：will contemporary Chinese art survive？”, with the picture of painting The Square No.9 (front cover), Asia Magazine, Singapore, August 16th 1996, p.10 & front cover [75] Gunalan Nadarajan, “Caricatures of everyday life in China”, with the picture of painting China Diary No.16, The Straits Times, Singapore, 1996 [76] Karen Smith, “World Within, World Without”, with the picture of painting China Jazz No.7, Dream of the Butterfly No.2, The Square No.8, China Diary No.18, Story of Letting Go No.7, ASIAN ART NEWS, Hong Kong, September/October 1996, p.66 & cover [77] Catalogue CHINA DIARY, 179 pages, 75 colour plates, essays by jia fangzhou and henry au-yeung, softcover, published by Plum Blossoms (International) Ltd., 1996. [78] Catalogue The International Asian Art Fair 1997, with the picture of ink painting Comrade Captain No.3, published by The International Asian Art Fair Ltd., New York, March 1997, p.70 [79] William A. Whitaker, “Affirmative Reaction”, using Zhu Wei’s painting to illustrate the affirmative action and employment situation in U.S.A, with the picture of painting Beijing Time No1, Harper’s, U.S.A, May 1997, p.24 [80] Meredith Berkman, “The pleasures and profits in Chinese art”, with the picture of painting Comrade Captain, Time, U.S.A, September 1st 1997, p.32 [81] “Zhu Wei: Zhu Wei Diary”, report on the artist and his exhibition China Diary in Hong Kong, from the antiques, collectibles, art website: www.Kaleden.com, 1997 [82] American documentary filmmaker Carma Hinton filmed ZHU WEI in the summer of 1997 [83] Catalogue The International Asian Art Fair 1998, with the picture of ink painting Sweet Life No.18, published by The International Asian Art Fair Ltd., New York, March 1998, p.70 [84] “Dream Believer——about Zhu Wei’s Diary of the Sleepwalker”, with the picture of painting Diary of the Sleepwalker No.22 and Sweet Life No.35, HK TATLER, Hong Kong, October 1998, p.46 [85] “Double Thinking”, with the picture of painting Festival No.3, Hong Kong Magazine, Hong Kong, October 2nd 1998, p.21 [86] “Dreams are made of these”, about Zhu Wei’s exhibition Diary of the Sleepwalker, with the picture of painting Festival No.20, The Straits Times, Singapore, October 9th 1998 [87] Joyce Fang, “Endless holiday of despair——Zhu Wei’s art reflects painful change taking place in China”, The Straits Times, Singapore, October 15th 1998, p.5 [88] “Dream Weaver-Zhu Wei at his Exhibition，Diary of the Sleepwalker”, Sunday Morning Post Magazine, Hong Kong, October 18th 1998, p.42 [89] Wu Yin, “Workers on holiday when unemployed - Zhu Wei’s exhibition”, with the picture of painting Festival No.3, Nanyang Siang Pau, Malaysia, October 8th 1998 [90] Catalogue “DIARY OF THE SLEEPWALKER - ZHU WEI”, 155 pages, 61 colour plates, essay by liu tiancheng, hardcover, published by Plum Blossoms (International) Ltd., 1998. [91] “Priscilla Liang Norton”, about all Priscilla’s life, with the picture of painting Festival No.3, Asian Art News, Hong Kong, January/Fabruary 1999, p.12 & 29 [92] Claire MacDonald, “The contemporary revolution”, about the rising contemporary Chinese artists on the international stage, from Singapore website: web3.asial.com.sg [93] Catalogue The International Asian Art Fair 1999, with the picture of ink painting Festival No.4, published by The International Asian Art Fair Ltd., New York, March 1999, p.70 [94] “Exhibition at the International Asian Art Fair in New York ”, with the picture of painting Sweet Life No.38, The Asian Art Newspaper, UK, March 1999, p.12 [95] “The most influential 100 Asians of the 20th century”, with “Mao” by Andy Warhol, courtesy Thomas Ammann from Zurich, and “China China” by Zhu Wei, courtesy Plum Blossoms International Ltd., Time magazine, the special issue for the coming millennium, August 23rd 1999, p.90 [96] Fionnuala McHugh, “Priceless is a state of mind”, with the picture of Zhu Wei’s miniature fiberglass sculpture China China, South China Morning Post, Hong Kong, September 26th 1999, p.6 [97] “New Sculpture by Zhu Wei”, with the picture of bronze sculpture China Star - TaoTie, World Sculpture News, Melbourne Weekly Magazine, Fall 1999, p.4 [98] Christiaan Virant, “China Marks Mao Anniversary with Little Red Disk”, from dailynews.yahoo.com, May 25 1999 [99] Francesca Dai Lago, “Personal Mao: reshaping an icon in contemporary Chinese art”, with picture of ink painting China Diary No.16, Art Journal, published by College Art Association, Vol.58, summer 1999, p.47-59 [100] Catalogue The International Asian Art Fair 2000, with the picture of ink painting Festival No.25, published by The International Asian Art Fair Ltd., New York, March 2000, p.68 [101] The International Asian Art Fair 2000 Brochure, with the picture of bronze sculpture China Star - TaoTie, published by The International Asian Art Fair Ltd., New York, March 2000, back cover [102] “Zhu Wei’s Diary”, with the picture of painting Sunflowers No.48, Portfolio, October 2000, p.38 [103] “Zhu Wei’s Visual Diary”, with the picture of painting Sunflowers No.20, Sunflowers No.45, Sunflowers No.46, Supreme Treatise on Moral Retribution No.17, litho Comrade Captain No.3, and fiberglass sculpture China China, Modern Home, Hong Kong, October 2000, p.152 [104] “Zhu Wei Diary”, with the picture of painting Sunflowers No.46~50, October 2000, from China’s art website: www.chinese-art.com [105] Liu Wen-zong, “Zhu Wei Diary”, with the picture of painting Sunflowers No.46, Purple Breath from the East No.3, litho Festival, LianHe WanBao, Singapore, October 17th 2000, p.18 [106] Siane . Jay, “Silent Protest - Blank Faces That Can Say So Much”, the review of Zhu Wei’s artworks, with the picture of painting Sunflowers No.50, Purple Breath from the East No.3, Great Water No.1, South Sea No.4, The Straits Times, Singapore, October 20th 2000, p.14 [107] Parvathi Nayar, “Social Message”, the review of Zhu Wei’s artworks, with the picture of painting Sunflowers No.46, South Sea No.4, The Business Times, Singapore, October 21st 2000, p.EL3 [108] Rui Ting, “Inspiration from Reality——The Art of Zhu Wei”, with the picture of painting China China and Festival No.6, China International Business, China, November 2000, p.58 [109] Sherman Chau, “Reality Checked”, the review of Zhu Wei’s artworks, with the picture of painting Comrade Captain, fiberglass sculpture China China, Hong Kong IMail, Hong Kong, November 3rd 2000, p.A20 [110] Di Bi, “Zhu Wei locks reality into painting”, with the picture of painting South Sea No.1, Ming Pao Daily News, Hong Kong, November 10th 2000, p.C10 [111] She Zong-ming, “Management and Creation”, with the picture of fiberglass sculpture China China, HK Economic Journal, Hong Kong, November 25th 2000, p.17 [112] “Zhu Wei Diary Exhibition”, HKTATLER, Hong Kong, December 2000, p.105 [113] “Zhu Wei shows his avant-garde work Deng Xiao-ping”, U.S. Digest, U.S.A, January/February 2000 [114] Cable News Network (CNN) TalkAsia Zhu Wei, interviewed by Mike Wallace, reported by Veronica Pedrosa, 2000 [115] ZHUWEIDIARY, Digital CD, published by Plum Blossoms (International) Ltd., 2000. [116] catalogue ZHUWEIDIARY, 398 pages, essay by liu tiancheng, zhang li, hardcover, published by Plum Blossoms (International) Ltd., 2000. [117] Margaret Tao, “Zhu Wei: Zhu Wei Diary”, Orientations, Hong Kong, 2000. [118] Tan Hwee Koon, “A Blossoming Interest in Art”, about the artist and his artworks, with picture of painting Purple Breath from the East No.3, Box No.1, Fables, Singapore, Spring issue 2001, p.43 & 50 [119] “Zhu Wei Exhibition”, with the picture of litho Comrade Captain No.3, The Asian Art Newspaper, UK, January 2001, p.5 [120] Crystyl Mo, “The Soldier and the Citadel”, review of the artist and his artworks, with the picture of painting Sweet Life No.38, The Story of Beijing No.25, Sunflowers No.47, Descended from the Red Flag No.5, and fiberglass sculpture China China, ASIAWEEK, Hong Kong, February 9th 2001, p.5 & 46-48 [121] “The Sixth International Asian Art Fair”, with the picture of painting Sunflowers No.50, The Asian Art Newspaper, UK, March 2001, p.16 [122] Catalogue The International Asian Art Fair 2001, with the picture of Purple Breath from the East No.1, published by The International Asian Art Fair Ltd., March 2001, p.67 [123] Bill Cunningham, “Zhu Wei and His Art”, with the picture of sculpture China China, The New York Times, U.S.A, March 26th 2001, p.7 [124] “Plum Blossoms Bloom in New York”, with the picture of painting Sunflowers No.48, from the art website www.cloudband.com, March 28th 2001 [125] “Priscilla Liang ‘75: Her Light Still Shines”, from American Phillips Exeter Academy’s website www.exeter.edu, May 22nd 2001 [126] “Zhu Wei Exhibition”, with the picture of painting China Diary No.51, Where Hong Kong, Hong Kong, October 2001, p.25 [127] Victoria Finlay, “Zhu Wei”, with the picture of painting Tightrope No.3, China China, Great Water No.11, Comrade Captain, and fiberglass sculpture China China, The Asian Art Newspaper, UK, April 2001, p.12 [128] “The 6th International Asian Art Fair in New York”, with the picture of fiberglass sculpture China China, from art website www.cloudband.com, April 20th 2001 [129] Piri Halasz, “NY Arts”, June 2001, p.55, from Piri Halasz’s online column piri.home.mindspring.com [130] Catalogue The International Asian Art Fair 2002, with the picture of China Diary No.51, published by The International Asian Art Fair Ltd., March 2002, p.55 [131] Li Xi, “Zhu Wei: the latecomer of Chinese Art”, with the picture of painting Diary of the Sleepwalker No.25, Untitled No.1, Untitled No.2, Untitled No.4, and Utopia, CHINA WATCH, China, October 2002, p.88 [132] Yang Zi, “Compromise to everyone, Challenge the violence - Interview with the curator of the first China Art Triennial”, with the picture of painting Untitled No.1, Southern Weekend, China, October 10th 2002, p.12 [133] Laura Hutchison, “The first triennial of Chinese arts makes its debut in Guangdong”, with the picture of painting Untitled No.1, City Weekend, An English weekly in China, October 24th 2002, p.13 [134] Gong Yan, “’Paris-Pekin’ China Contemporary Art Exhibition”, with the picture of sculpture China China, ART WORLD monthly, China, November 2002, p.8 [135] “The Triennial of Chinese Arts”, with the picture of painting Untitled No.1, Jiangsu Art Monthly Pictorial, China, November 2002, p.7 [136] Hannah Beech, “Living Large-China new wave of modern art”, with the picture of Untitled No.1, TIME, Vol. 160 No.18, November 11th 2002, cover story “China’s Next Cultural Revolution (4) - The Birth of Cool”, p.49 [137] Qiu Hai-xu, “Bobos and New Culture Movement”, Sanlian Lifeweek, China, November 25th 2002, Issue No.47, p.22 [138] Sun Lu, “National Treasure Exhibition in Shanghai, A Thousand-Year Encounter”, China News Weekly, China, December 16th 2002, p.64 [139] “The Story of Beijing, from www.bolerium.com, 2002 [140] “Five Oxen”, from official website of University of Michigan www.umich.edu, 2002 [141] “The Best of Times”, with the picture of painting Spring Festival, The Economic Observer Newspaper, China, February 24th 2003, p.D8 [142] Catalogue The International Asian Art Fair 2003, with the picture of ink painting Sketch No.2, published by The International Asian Art Fair Ltd., March 2003, p.57 [143] “Zhu Wei’s Exhibition in New York”, with the picture of painting Festival No.30, Art Asia Pacific, U.S.A, Fall 2003, p.2 [144] “Asian Contemporary Art Week”, with the picture of painting Festival No.31, The Asian Art Newspaper, UK, November 2003, p.5 [145] “Win Win Win”, with the picture of painting Untitled No.1, City Weekend, An English weekly in China, December 4th 2003, p.E11 [146] “Zhu Wei - Another Perspective”, with the picture of woodblock print Woodblock No.8, Asian Art News, Hong Kong, November/December 2003, p.8 [147] “An Evening in Chelsea”, with the picture of painting Festival No.30, from the Asia Society’s official website: ww.asiasociety.org, U.S.A, November 2nd 2003 [148] catalogue ZHU WEI - ANOTHER PERSPECTIVE. WOODBLOCK PRINT, 18 pages, essay by li xiaoshan, softcover, published by Plum Blossoms (International) Ltd., 2003. [149] “Zhu Wei's large bronze sculpture installed at 590 Madison Avenue IBM Building, New York”, with the picture of bronze sculpture China China, from a China art website arts.tom.com, February 2nd 2004 [150] Gerald Mak, “The Road Home”, report the artist’s development in his hometown China, with the picture of painting Diary of the Sleepwalker No.25, Festival No.31, Festival No.9 (cover), and bronze sculpture China China, That’s BEIJING, A Beijing English monthly magazine, March 2003, p.44 [151] Priya Malhotra, “A Week of Surprises”, review of The Asian Contemporary Art Week in New York, with the picture of woodblock print Woodblock No.16, and bronze sculpture China China, Asian Art News, Hong Kong, January / February 2004, p.66 [152] Priya Malhotra, “Zhu Wei at Plum Blossoms”, with the picture of painting Utopia No.45, Asian Art News, Hong Kong, January / February 2004, p.83 [153] Craig Simons, “Party . Animal”, about the artist and his artworks, with the picture of woodblock print Woodblock No.8 & No.14, South China Morning Post, Sunday Morning Post, Hong Kong, May 16th 2004, p.7 [154] “Singapore Lions North of the Singapore River” (about Zhu Wei’s work in SingArt program), from Singapore website www.singart.com.sg, May 11th 2004 [155] “Art Singapore - The Contemporary Asian Art Fair”, from Singapore art website www.artsingapore.com, April 2004 [156] “Arts - Exhilarating the soul”, with the picture of painting Sunflowers No.46, from website pontiaclandgroup.com, 2004 [157] “Selected Acquisitions December 2003 - January 2004”, from Asian Art Archive website www.aaa.org.hk, Hong Kong, 2004 [158] “World Event: IBM Building Installs Zhu Wei’s Sculpture, with the picture of bronze sculpture China China, from Asian Art Archive website www.aaa.org.hk, Hong Kong, 2004 [159] “Asia Week Art Fair”, from English art website www.artnet.com, 2004 [160] “World Event: Democracy Forever”, with the picture of painting Untitled No.1, from Asian Art Archive website www.aaa.org.hk, Hong Kong, 2004 [161] XENIA TETMAJER VON PRZERWA, “Eccentric Notes of Dissent: The Art of Zhu Wei”, with the picture of painting Comrades, Pictures of the Strikingly Bizarre: Serve the People, China Diary No.4 & No.7, Box No.3, Supreme Treatise on Moral Retribution No.18, Sunflowers No.30, Utopia No.32, Festival No.21, and Sweet Life No.38, YISHU: Journal of Contemporary Chinese Art, Canada, September 2004 | Fall Issue, p.17~27 [162] “Singapore Tyler Print Institute’s Artist Residency”, from website singaporeart.org, Singapore, 2004 [163] Andrew Maerkle, “Regime Change or Dynastic Cycle?”, from nyartsmagazine.com, New York, U.S.A, 2004 [164] Li Tao and Liang Jun, translated by May Tam, “SARS & AIDS & Inequity”, with the picture of woodblock print Woodblock No.14, from a Hong Kong internet magazine OXFAM MAGAZINE’s official website, www.oxfam.org.hk, Hong Kong, 2004 No.2 [165] Xenia Tetmajer von Przerwa, “One Present, Two Systems - International and local perceptions of Chinese contemporary art”, from German art magazine SPRINGERIN’s official website: www.springerin.at, the original article is in Issue 3 2004 [166] Helen A. Harrison, “Trickery on Canvas: The Allure of Illusion”, introduce the group exhibition held at Islip Art Museum “Food For Thought”, The New York Times, January 9 2005. [167] Wong Zi-jia, “The Chinese Box”, with the picture of prints New Pictures of the Strikingly Bizarre No.1 & No.2 & No.3, PRESTIGE, Hong Kong, May 2005, p.90~91 [168] Jonathan Thomson, “Extravagant Ways”, with the picture of prints New Pictures of the Strikingly Bizarre No.1, No.2, No.3, No.4, No.5, No.6, No.8, No.10, No.11, No.12, and No.13, Asian Art News, Hong Kong, May/June 2005, p.50~55 [169] “Asian Art Week - Zhu Wei: New Pictures of the Strikingly Bizarre”, with the picture of print New Pictures of the Strikingly Bizarre No.1 (cover), Arts xplosion, Singapore, April 4 ~ 17 2005, p.6 [170] Wu Qi-ji, “Chinese Avant-guard Artist Zhu Wei and his New Pictures of the Strikingly Bizarre”, with the picture of print New Pictures of the Strikingly Bizarre No.5, and painting The Heavenly Maiden No.3, Singapore Zaobao Daily, Singapore, April 16th 2005, p.5 [171] Clara Chow, “He’s fond of big heads”, with the picture of print New Pictures of the Strikingly Bizarre No.5, The Straits Times, Singapore, April 12th 2005, p.5 [172] “SPEECH BY MR THARMAN SHANMUGARATNAM, MINISTER FOR EDUCATION, AT THE EXHIBITION OPENING OF ARTIST ZHU WEI'S WORKS, 8 APRIL 2005, 6.30 PM”, from Singapore government’s official website www.gov.sg, April 2005 [173] “Zhu Wei: New Pictures of the Strikingly Bizarre in Singapore and Hong Kong”, with the picture of print New Pictures of the Strikingly Bizarre series, from Chinese art website arts.tom.com, China, June 10th 2005 [174] “Zhu Wei: the Strikingly Bizarre”, with the picture of print New Pictures of the Strikingly Bizarre No.2, from Ta Kung Pao’s official website takungpao.com, Hong Kong, April 16th 2005 [175] “Zhu Wei: New Pictures of the Strikingly Bizarre”, with the picture of print New Pictures of the Strikingly Bizarre No.2, from Singapore Tyler Print Institute (STPI)’s official website stpi.com.sg, Singapore, April 2005 [176] “Zhu Wei: New Pictures of the Strikingly Bizarre”, from Singapore Channel News Asia official website www.channelnewsasia,com, April 2005 [177] Pauline J. Yao, “Contemporary Chinese Ink Painting in the Yiqingzhai Collection: An Inside Look”, with the picture of painting Lily Garden, from the official science magazine of Asian Art Museum of San Francisco, treasures, San Francisco, U.S.A, Fall Issue 2005, p.18~19 [178] Alexandra A. Seno, “Zhu: Looking for ‘something simple’”, with the picture of painting Utopia No.56 & No.58, INTERNATIONAL HERALD TRIBUNE, New York, U.S.A, December 3/4 2005, p.8 [179] Gerald Mak, “The Road Home”, with the picture of painting Festival No.30, Diary of the Sleepwalker No.25, Insider’s Guide to Beijing 2004-05, Shantou University Publishing House, China, published in April 2005, p.177, 178 [180] “Art Speak”, Insider’s Guide to Beijing 2004-05, Shantou University Publishing House, China, published in April 2005, p.172, 174, 176 [181] Libby Rosof, “Portraits of love”, with the picture of bronze sculpture China China, painting Untitled No.1, and some works from Vernal Equinox series, from Roberta Fallon and Libby Rosof’s artblog: www.fallonandrosof.com, dated Saturday, September 03, 2005 [182] catalogue, NEW PICTURES OF THE STRIKINGLY BIZARRE, 131 pages, essay by li xiaoshan, softcover, published by Plum Blossoms (International) Ltd. and Singapore Tyler Print Institutes, 2005. [183] “The Red Curtain: Zhu Wei”, from official website of Plum Blossoms gallery www.plumblossoms.com, November 2005. [184] Chen Lei, “Chinese Ink & Color Combines with Rock & Roll?”, with the picture of painting China Diary No.22, No.23, No.25, and China Jazz No.9, City Pictorial, a semimonthly in China, January 27th 2006, p.174, 175 [185] Qin Zi-zi, “Zhu Wei - exist in art and enjoy art”, with the picture of painting Utopia No.50, No.51, No.57, and Festival No.30, Men’s Uno, China version, February 2006, p.58-61 [186] “Zhu Wei at Red Gate”, with the picture of painting Utopia No.62, City Weekend, an English weekly in China, March 23rd 2006, p.E5 [187] “Zhu Wei’s Solo Exhibition”, with the picture of New Pictures of the Strikingly Bizarre No.2, Beijing Walker, a Japanese monthly in China, April 2006, p.41 [188] Zhuang Ya-ting and Jian Cui, “Art Circle Go East -2006 China International Gallery Expositio”, with the picture of painting Utopia No.59 (cover), Modern Weekly, China, April 1st 2006, p.F8 [189] “Zhu Wei Works Exhibition at Red Gate Gallery”, with the picture of print New Pictures of the Strikingly Bizarre No.2, arts.tom.com, February 21st 2006 [190] Stacey Duff, and translated by Ye Ru-fan, “Between Tradition and Modern”, Chinese version of TIME OUT BEIJING, Beijing, China, April 2006, p.18. The English version the same article is in the English version TIME OUT BEIJING, April 2006, p.12-13, titled “Capital Comeback”. [191] Karen Smith, “Ai Wei-wei and Zhu Wei’s Solo Exhibition”, with the picture of Utopia No.62 (p.56), Chinese version of TIME OUT BEIJING, Beijing, China, April 2006, p.54 [192] Lee Ambrozy, “Starving Artist: Second Helping”, with the picture of print New Pictures of the Strikingly Bizarre No.5, That’s Beijing, Beijing, China, April 2006, p.48 [193] Zeng Yan, “International Auctions: the New 'Language of Power' for Chinese Contemporary Art”, with the picture of painting Utopia No.57, Sanlian Lifeweek, a weekly in China, Issue No.15, April 24th 2006, p.66-68 [194] Jian Cui, “About an Old Art School Punk”, with the picture of painting Utopia No.46, The Heavenly Maiden No.12, Untitled No.1, Modern Weekly, China, April 29th 2006, p.36-37 [195] “Zhu Wei”, with the picture of print New Pictures of the Strikingly Bizarre No.5, from The Economist’s website www.economist.com, U.S.A, April 8th 2006 [196] Exhibition review about Zhu Wei’s solo show at Red Gate Gallery, Art Monthly Australia, April 2006, issue 188, with ink painting Utopia No.62, etc. [197] “Zhu Wei”, with the picture of painting Utopia No.46 & No.59, Festival No.10, Diary of the Sleepwalker No.25, woodblock print Woodblock No.10, bronze sculpture China China, Sunny Trip Magazine, a China bi-monthly magazine, May/June 2006, p.108-109 [198] Li Hong-yu, “Pop? Oil Painting? New Ink and Color”, with the picture of painting Untitled No.1, and Utopia No.57, Southern Weekend, China, May 4th 2006, p.B9 [199] Jin Xun, “Painter Zhu Wei: None of my paintings has a selling appearance”, Mangazine, a China monthly, June 2006, p.112-115 [200] “Contemporary art business, New incomer sample - Li Ye”, Sanlian Lifeweek, a weekly in China, July 17th 2006, p.54 [201] David Bonetti, “China China”-about Zhu Wei’s sculpture was installed in St. Louis, with the picture of bronze sculpture China China, from St. Louis’ news website www.STLtoday.com, U.S.A, August 6th 2006 [202] Wang Jing edit, “Art…needs sedimentation — A conversation between Li Xiaoshan and Zhu Wei”, with the picture of print New Pictures of the Strikingly Bizarre No.2 & No.5, painting The Heavenly Maiden No.12, Oriental Art . Master, China art semimonthly, Column / Dialogue between Masters, August 1st 2006, p.46-57 [203] “The Art Complex Museum: Exhibition ‘Curator’s Choice’”, with the picture of painting China Diary No.51, from The Art Complex Museum’s official website: www. artcomplex.org, October 2006 [204] “Curator’s Choice: China”, from Asia Society’s website: www.asiasource.org, Octobter 2006 [205] “Face of An Era”, with the picture of painting Untitled No.1 colorful sketch, Oriental Art . Classics, China art semimonthly, July 16th 2006, p.129 [206] Simon Elegant, “The Great China Sale”, with the picture of painting Utopia No.45, TIME Asia Magazine, U.S.A, Vol 168 No.24, December 11th 2006, p.56, the same article is in TIME U.S. Magazine, November 27th 2006, p.68 [207] “Audi Night, the motif if charity”, with the picture of donated works silkscreen print China China, Audi Magazine, a free quarterly in China, March issue 2006, p.18 [208] Jody Feinberg (journalist of The Patriot Ledger), “A Tour of China: From the ancient to contemporary, the vision of Chinese artists on display”, the review of the exhibition Curator’s Choice at The Art Complex Museum, from website in Boston, U.S.A: www.southofboston.com, the original article was in Boston local daily newspaper The Patriot Ledger, 2006. [209] catalogue The Power of Art on Paper, Art Seasons Gallery’s exhibition in Singapore, Beijing and Jakarta, with the picture of silkscreen print China China, April 2006 [210] “The Power of Art on Paper”, about an exhibition in Art Seasons Gallery, Singapore, from Art Seasons Gallery’s official website: www.artseasons.com, May 2006 [211] “Zhu Wei - Subtration of Ink and Color”, an interview with Zhu Wei, with the picture of painting Utopia No.57, China Diary No.59, Untitled No.1, The Heavenly Maiden No.12, Festival No.31, and print New Pictures of the Strikingly Bizarre No.2, Modern Stream, Beijing Capital airport’s monthly, October 2006, p.45-51 [212] Catalogue Chinese Ink Painting Document Exhibition 1976-2006, with pictures of ink painting Untitled No.3, Utopia No.55, Untitled . Colorful Sketch, published by Hubei Fine Art Publishing House, China, October 2006, p.325-328 [213] “6,000 years of Asia’s art”, reviewing the 40th anniversary exhibition of the Asian Art Museum of San Francisco, APOLLO, November 2006 [214] catalogue ZHU WEI, 163 pages, essays by Li Xiaoshan, Zhang Li, Karen Smith, Li Hongyu, and Tan Hwee Koon, softcover, 30 colorized postcards, published by He Bei Education Press, China, 2006. [215] “6,000 Years of Asia’s Art”, about an exhibition in Asian Art Museum (San Francisco, U.S.A), Zhu Wei’s work “Lily Garden” and the artist, APOLLO, November 2006 issue, from APOLLO’s official website www.apollo-magazine.com [216] catalogue of Sotheby’s New York 2006 Spring Auction, with the picture of auction work painting Utopia No.57, Contemporary Art Asia, New York, U.S.A, p.213 [217] catalogue of Sotheby’s New York 2006 Autumn Auction, with the picture of auction work bronze sculpture China China, artist and artwork introduction, Contemporary Art Asia - China, Korea, Japan, New York, U.S.A, p.30-31 [218] catalogue of Sotheby’s Hong Kong 2006 Autumn Auction, with the picture of auction artworks fiberglass sculpture small China China (edition 5/12), painting China Diary No.53, Untitled No.1 colorful sketch, and Untitled No.2, artist introduction, Contemporary Chinese Art - Part II, Hong Kong, p. 70-79 [219] Du Ka, “The First Time for Chinese Contemporary Art to Assemble in Russia”, Cheng Xindong has taken more than 30 Chinese contemporary artists to Moscow for the coming Chinese Contemporary Sotsart exhibition, with the picture of Untitled No.1, Chinese Contemporary Art News, China, March issue 2007, p.44 [220] “Zhu Wei brought his works to Historic Chinese Ink Painting Exhibition (1976-2006)”, with the picture of painting Spring Herald No.1, National Gallery Magazine, China art monthly, April 2007, p.151 [221] Laura Robertson, “An American in Brussels”, about Zhu Wei’s exhibition in Brussels, with the picture of silkscreen print Utopia No.46, and painting Vernal Equinox No.6, from the The Christian Broadcasting Network (CBN) News: www.cbn.com, May 25th 2007 [222] Zhu Wei, “Courtyard”, artist’s column article, published in HI ART, an art monthly in China, May issue 2007, p.131. This is Zhu Wei’s first column article published. [223] “Zhu Wei’s Exhibition at J.Bastien Art”, with the picture of silkscreen print Utopia No.46, ART EXPO, an art quarterly of art manifestation in Belgium and Luxemburg, Belgium, April - June 2007, p.4 [224] “Realisme uit China, Zhu Wei”, Het laatste nieuws, Belgium, May 25th 2007 [225] Ca-Mie De Souza, “Greater appreciation of Chinese art pushes prices to all-time high”, from Singapore Channel News Asia official website www.channelnewsasia,com, March 3rd 2007 [226] “Zhu Wei (1966)”, biography of artist, from the American collector Hefner’s website: www.hefnercollection.com, U.S.A, 2007 [227] “Zhu Wei’s exhibition in Brussels”, with the picture of painting Spring Herald No.7, Oriental Art . Finance, China art semimonthly, first semimonthly of July 2007, p.62 [228] “Zhu Wei’s solo exhibition at J.Bastien”, with the picture of painting Spring Herald No.7, Step Up To Belgium, China, summer issue 2007, p.27 [229] Zhu Wei, “Dreaming of an Expedition to the West”, HI ART, an art monthly in China, July issue 2007, p.155 [230] Zhu Wei, “Read His Name from Old Newspapers”, an article to commemorate the film director Michelangelo Antonioni, City Pictorial, a semimonthly in China, August 24th 2007, p.103 [231] Zhu Wei, “Movement”, artist’s column article, published in HI ART, an art monthly in China, August issue 2007, p.101 [232] Zhu Wei, “Ok, Let’s Go!”, artist’s column article, published in HI ART, an art monthly in China, September issue 2007, p.225 [233] “Ink and Wash also can be Modernize”, about Zhu Wei’s exhibition at Plum Blossoms Gallery in Hong Kong, with the picture of Spring Herald No.4, HI ART, an art monthly in China, October issue 2007, p.181 [234] Zhu Wei, “Everyone, Do What They Want!”, artist’s column article, published in HI ART, China, October issue 2007, p.194 [235] Auction digital catalogue CONTEMPORARY CHINESE ART, Zurich, Switzerland, the preview in Basel during Art Basel from June 12-17, the auction is on 23rd June 2007, with the picture of silkscreen print China China, from Koller Gallery’s official website: www.galeriekoller.ch, p.33, 106 [236] Iola Lenzi, “Zhu Wei”, about Zhu Wei’s exhibition at Art Seasons Gallery in Singapore, with the picture of painting Vernal Equinox No.1, from Time Out Singapore’s official website: www.timeout.com, Singapore, October 2007, issue 5 [237] “Zhu Wei Explores the Theme of ‘Vernal Equinox’”, about Zhu Wei’s exhibition at Plum Blossoms Gallery in Hong Kong, with the picture of painting Vernal Equinox No.10, from China art website: www.comment.artron.net, China, November 19th 2007 [238] Zhu Wei, “Everyone, Do What They Want! (continued)”, artist’s column article, published in HI ART, China, November issue 2007, p.249 [239] “China’s new labor contract law - getting into compliance”, with the picture of Utopia No.59 (cover), CHINA BRIEFING, a English monthly owned and written by China's largest independent business advisory Dezan Shira & Associates, China, December 2007, front cover [240] Li Zong-tao, “Zhu Wei: Local Art is in Danger”, with the picture of painting Vernal Equinox No.3, print New Pictures of the Strikingly Bizarre No.2, and woodblock print Woodblock No.18, Southern People Weekly Magazine, China, December 11th 2007, Volume 104 Number 31, p.68-69 [241] auction catalogue of AAA FUNDRAISER 2007 - AN ENDOWMENT FOR THE FUTURE, Asia Art Archive, Hong Kong, with the picture of silkscreen print China China, and Utopia No.46, December 2007. [242] Wang Jing, “Zhu Wei: Ink and Wash, Another Tune of Contemporary Art”, with the picture of silkscreen print Utopia No.46, painting China Diary No.59, Spring Herald No.3, Untitled No.1, Vernal Equinox No.1 & No.3, and Diary of the Sleepwalker No.25, Oriental Art . Master, Vol. 147, China art semimonthly, December 1st 2007, p.50-53 [243] Zhu Wei, “Chinese Cabbage”, artist’s column article, published in HI ART, China, December issue 2007, p.210 [244] David Drakeford, “Art For Life”, interview Ms.Lambert, the owner of Front Line Gallery, with the picture of painting Sweet Life No.4, That’s BEIJING - tbjhome, an English monthly in Beijing, December 2007, p.56-59 [245] “Shang Hai Contemporary Art Exhibition Opens”, China Culture website www.chinaculture.org, 2007. [246] “Modern and Contemporary Chinese Art”, introduction of college museum collection, official webiste of Williams College Museum of Art www.wcma.williams.edu, USA, 2007. [247] “Inner View China”, about the exhibition in Gyeonggi Paju South Korea, with picture of ink painting Utopia No.51, South Korea website www.gallerytouchart.com, 2007 [248] Gu Chen-xi, “The Changing China Ink and Wash”, with the picture of painting Vernal Equinox No.4, print New Picture of Strikingly Bizarre No.2, Chinese version VOGUE, China January 2008, p.76 [249] Zhu Wei, “Hong Kong Hong Kong”, artist’s column article, published in HI ART, China, January 2008, p.181 [250] Megan Connolly, “Zhu Wei in His Studio”, with the picture of print New Pictures of the Strikingly Bizarre No.5, bronze sculpture China China, from Asian Art Archive’s official website www.aaa.org.hk, Hong Kong, January 2008. [251] “Five Atypical Q & A - Zhu Wei”, published in Oriental Art. Master, China, First Semimonthly of February 2008, p.85 [252] Zhu Wei, “Year 2007 has gone by, and I didn’t miss it a bit”, published in Southern Weekend, China, February 14 2008, “2007 Salutatory: The Cultural Authorship List”, p.15. [253] Zhu Wei, “Another Page”, artist’s column article, published in HI ART, China, February 2008, p.176 [254] Gu Chen-xi, “Pure Chinese Art”, with the picture of paintings Utopia No.46, No.50 & No.55, China Diary No.59, Vernal Equinox No.1, No.2 & No.7, The Heavenly Maiden No.13, Festival No.31, published in Chinese version VOGUE, China, March 2008, p.432-435. [255] Zhu Wei, “The Flower Girl”, artist’s column article, HI ART, China, April 2008, p.114 [256] Zhu Wei, “Wildfire Will Not Extinguish It, The Spring Breeze Will Not Revive It”, artist’s column article, HI ART, China, May 2008, p.130 [257] “Contemporary Prints Exhibition” forecast, Art Exit, China, South Korea, Europe & USA, June 2008, p.32 [258] Zhu Wei, “Gerhard Richter . Chinese Contemporary Art”, artist’s column article, HI ART, China, June 2008, p.120 [259] “Zhu Wei: From Monogamy To Polygamy”, an interview talking about the relationship between artist and gallery, HI ART, China, June 2008, p.98 [260] Zhu Wei, “Perhaps Only Three Events This Year”, artist’s column article, HI ART, China, July-August combined issue, 2008, p.128 [261] “10 Questions from ‘Oriental Art . Master’ to Zhu Wei”, with ink paintings One Red Flag No.2, Two Red Flags No.1, Vernal Equinox No.13, No.15 & No.21, published in Chinese art magazine Oriental Art . Master, China, first semimonthly of October 2008, p.68-71 [262] Isabel He, “Zhu Wei: Paint Stories Thick and Heavy in Colors”, illustrated with prints New Pictures of the Strikingly Bizarre No.2 & No.8, ink paintings China China, Utopia No.46, bronze sculpture China China No.2, published in bilingual art website ArtZineChina.com, China, 2009 [263] Catalogue China China, illustrated with bronze sculpture China China, Chinese ink paintings Vernal Equinox No.17 & No.18, published by Chinasquare, USA, 2008, p.126-127 [264] Pei Gang, “An Interview of Zhu Wei: There must be one thing to stick to”, published in art website www.artron.net, China, October 24 2008. [265] Adidas Originals 2008 Classics People, Zhu Wei’s portrait, photographed by Mei Yuangui, published in Modern Weekly, TheOutlook Magazine, etc., China, November 2008 [266] “Zhu Wei’s Exhibition Opens at Xindong Cheng Space for Contemporary Art”, illustrated with bronze sculpture China China No.2, published in Chinese art website www.99ys.com, China, October 19th 2008 [267] Exhibition forecast “Contemporary Prints”, illustrated with print Utopia No.46, published in Chinese art website Window of Chinese Art www.wofca.com, China, August 2008 [268] Exhibition forecast “Zhu Wei’s Ink Paintings’, illustrated with ink painting One Red Flag No.1, published in Chinese art website www.99ys.com, China, October 11th 2008 [269] Video interview “Zhu Wei: Ink paintings and Rock n’ Roll can be mixed too’, illustrated with pictures of print New Pictures of the Strikingly Bizarre No.2, ink painting Spring Festival, msn.100du.com, China, January 31 2008 [270] “Zhu Wei, Hatched Under The Flag”, illustrated with pictures of bronze sculpture China China, ink paintings One Red Flag No.2, Two Red Flags No.1, Vernal Equinox No.13 & No.15, published in Hi Art, China, “Hi Front page People” column, p. 20-25 [271] “Zhu Wei’s Solo Exhibition”, published pictures of Zhu Wei’s solo exhibition at Xindong Cheng Space for Contemporary Art, published in art magazine Art Tract, China, October 2008, p.281 [272] “Zhu Wei”, reviewing Zhu Wei’s exhibition at Xindong Cheng Space for Contemporary Art, illustrated with pictures of ink painting Utopia No.50, published in Time Out Beijing, China, December 2008, p.58 [273] Zhu Wei, “2008”, artist’s column article, Hi Art, China, December 2008, p.94 [274] “What’s Everybody Doing?”, tracing artist’s recent activity, Hi Art, China, December 2008, p.100 [275] “Zhu Wei’s Ink Paintings”, illustrated with pictures of bronze sculpture China China No.2, ink paintings Festival No.10, Vernal Equinox No.21, One Red Flag No.1, www.bj798arts.com, China, 2008 [276] Xia Zhen, “A Long-cherished Wish Fulfilled: Zhu Wei’s Solo Ink Wash Exhibition at 798”, reviewing Zhu Wei’s exhibition at Xindong Cheng Space for Contemporary Art, illustrated with pictures of ink painting Vernal Equinox No.3, Prints New Pictures of the Strikingly Bizarre No.2, Woodblock No.18, bronze sculpture China China No.2, published in bilingual art website ArtZineChina.com, China, 2008 [277] Exhibition forecast “Water and Color: Contemporary Ink Art Show”, www.macauart.net, an art website in Macau, December 31 2008 [278] “’Best of Beijing’ Brings Internationally Renowned Chinese Artwork to Central Flofida”, published in Florida Southern College website www.flsouthern.edu, USA, December 17 2008 [279] “CHINA CHINA BY THE ARTIST ZHU WEI REMOVED BY ITS OWNER, GATEWAY FOUNDATION, FOR REPAIRS”, illustrated with the picture of bronze sculpture China China, www.thecwe.com, USA, November 2008 [280] Documentary filmmaker Brian from Pittsburgh filmed Zhu Wei working at a sculpture studio in New Jersey [281] “Spiritual Space of Contemporary Ink Art”, about exhibition “Water and Color” at Beijing Today Art Museum, with picture of ink painting Vernal Equinox No.21, China Newspaper Tianjin Daily, January 14 2009, p.39 [282] Zhu Wei, “A Cesspool Covered with Flowers: Replies to My Friends in the Coming Spring”, artist’s column article, Hi Art, China, January - February combined issue 2009, p.65 [283] Zou Xiaoqing, “Zhu Wei: Originality Comes the First”, illustrated with pictures of ink painting Vernal Equinox No.15, Heavenly Maiden No.12, print Woodblock No.10, published in Oriental Art · Masters, China, second semimonthly issue of February 2009, Volume 175, p.76-77 [284] Li Xiao Shan, “Zhu Wei and His Work”, with picture of print New Pictures of the Strikingly Bizarre No.5, British website www.cuccl.co.uk, March 10 2009 [285] Zhu Wei, “Smiles of a Summer Night”, artist’s column article, Hi Art, China, May 2009, p.96 [286] Zhu Wei, “Watch Cui Jian Making a Movie”, artist’s column article, Hi Art, China, June 2009, p.82 [287] “8 Mysterious Works”, illustrated with picture of ink painting Utopia No.47, published in BAZAAR, China, July 2009, p.131 [288] Zhu Wei, “Stars Are Not the Same”, artist’s column article, Hi Art, China, July - August combined issue 2009, p.76 [289] Du Ka, “Ink and Color Counterattack Contemporary Art”, official website of China Securities Journal www.cs.com.cn, China, February 25 2009. [290] Meca Shi, “Screaming in Silence”, introducing Zhu Wei and his studio, bilingual art website ArtZineChina.com, China, 2009. [291] “Going Out”, illustrated with pictures of ink paintings Vernal Equinox No.1 & No.2, Utopia No.55, The Heavenly Maiden No.12, published in Icon, China, February 2009, p.53-58. [292] Zhu Wei, “Charts in the Summer Night”, artist’s column article, Hi Art, China, September 2009, p.69 [293] Zhu Wei, “Story of Ink and Wash”, artist’s column article, Hi Art, China, October 2009, p.98 [294] Wang Jing, “Pertinacity just an Attitude——Dialogue between Wang Jing and Zhu Wei”, illustrated with pictures of ink paintings Vernal Equinox No.21, The Story of Beijing No.3, Utopia No.48, One Red Flag No.4, bronze sculpture China China, published in the ‘Dialogue’ column of Oriental Art.Maters, China, first semimonthly issue of October, 2009, p.70-75. [295] Zhu Wei, “Story of Ink and Wash - Pull Bread Out of Thin Air”, artist’s column article, Hi Art, China, November 2009, p.97 [296] “Zhu Wei: New realism is but a commercial gimmick”, No Art invited 8 representative cotemporary artists, including Zhu Wei, Zhang Jian, Yang Qian, Zhan Wang, Yin Zhaoyang, Qiu Xiaofei, Li Wei and Xiang Jing, to talk about their viewpoints about realism with a title of “Contemporary Collectivity Do Not Give in to Realism”, published in No Art-Chinese Art News, China, 2009 December Issue, ‘Cover Story’, p.68. [297] Zhu Wei, “Story of Ink and Wash - Remembering Nineteen-sixty”, artist’s column article, Hi Art, China, December 2009, p.95 [298] “Zhu Wei: Play Ice Hockey in the Studio”, published in December 2009 issue of Shangri-la, China, “Nine people’s 2009” Column, p. 48-51 [299] Catalogue The Academic Exhibition of Chinese Fine Arts Painting, with pictures of ink painting One Red Flag No.3, Two Red Flags No.2 & No.3, published by Jiangxi Fine Art Publishing House, November 2009, p. 103-105 [300] “Academic Gongbi - ‘The Academic Exhibition of Chinese Fine Arts Paintings’ opened at The Museum of China National Academy of Painting”, published in art website art.china.cn, China, November 23 2009 [301] “Culture View: Artist Zhu Wei”, website www.sohu.com, China, 2009 [302] “Lily Garden No.15”, introducing the artwork Lily Garden No.15 collected by Asian Art Museum of San Francisco, www.ask.com, 2009. [303] “Zhu Wei”, introducing ink paintings Sketch No.2, Utopia No.52 & No.56, www.burgercollection.org, 2009 [304] “Art Miami’s 20th Anniversary Edition Celebrates Strong Attention and Sales”, introducing Zhu Wei’s bronze sculpture China China No.2, www.artron.net, China, December 17 2009, original published in Art Daily, unspecified date [305] Yanelis Abreu, “From Beijing to Havana: Highly Original Chinese Art”, reviewing the exhibition “Beijing - Havana”, www.cubanow.net, Cuba, November 17 2009 [306] An Xixiang, "A Studio Room with A CBD View", Hi Art, China, November issue 2009, p.147 [307] “Zhu Wei and His Works”, with picture of print New Pictures of Strikingly Bizarre No.5, China and UK Culture Communication website www.cuccl.co.uk, UK, 2009. [308] Zhu Wei, “Story of Ink and Wash - Eggs Left Over by the Red Flag”, artist’s column article, Hi Art, China, January - February combined issue 2010, p.96 [309] Zhu Wei, “He Created One Kind of Skill -- Zhu Wei Talks About Richter's Paintings”, published in Oriental Art . Master, China, first semimonthly of February 2010, ‘Art History in the Eyes of Artists’ Column, p.110-115 [310] Zhu Wei, “Notes on Painting”, artist’s column article, Hi Art, China, March 2010, p.118 [311] He Yong & Zhu Wei, “Zhu Wei & He Yong: Art Gives Freshness to City”, a conversation between a Rock n’ Roll player and an artist, illustrated with the picture of print New Pictures of the Strikingly Bizarre No.2, published in Oriental Art . Master, China, first semimonthly of April 2010, “My City and Me: City Life and Spiritual Experience” Column, p.88-89 [312] Jenny Tang, “Chinese artists trace social legacies across eras”, reviewing exhibition Tradition and Transition at the Williams College Museum of Art (WCMA), published in The Williams Record, April 14, 2010. [313] Zhu Wei, “Why I Paint”, artist’s column article, Hi Art, China, May 2010, p.161 [314] Catalogue Modern And Contemporary Asian Art Evening Sale, bronze sculpture China China No.2, Singapore 33 Auction, May 2 2010, p.114-115 [315] “Zhu Wei”, brief introducing and artist’s bio, Belgium website www.jbbis.be, 2010 [316] Mary Gostelow, “Seven Sensational Art Collections”, introducing fiberglass sculpture China China in front of Singapore Ritz Carlton hotel, Australia travel website www.travel-associates.com.au, 2010 [317] “Annual Fundraiser”, Asian Art Archive Hong Kong website www.aaa.org.hk, 2010 [318] “Zhu Wei Solo Show”, exhibition forecast about Zhu Wei’s exhibition at Front Line Contemporary in Shanghai, with the picture of ink painting Vernal Equinox, Model Sketch No.5, City Weekend website www.cityweekend.com.cn, China, May 2010 [319] “Tradition and Transition: Recent Chinese Art from the Collection”, exhibition forecast of Williams College Museum of Art, Williams College website www.wcma.org, USA, Aril 2010 [320] Woon Tai Ho, “Contemporary Hit”, reviewing the Singapore Art Festival, illustrated with the picture of bronze sculpture China China No.2, published in The Business Times, Singapore, Friday May 14 2010, p.29 [321] Zhu Wei, “Notes on Painting II”, artist’s column article, Hi Art, China, June 2010, p.165 [322] Zou Xiaoqing, “20 Artists’ Endorsement: Marketism with Chinese Characteristics”, interview, published in Art Investment, Taiwan, June 2010, p.156 [323] “Zhong Cheng 2010 Spring Auction: Works by Established Painters, European Masters Stand Out”, reviewing the Zhong Cheng auction, illustrated with the picture of bronze sculpture China China, published in Art Investment, Taiwan, June 2010, p.194-195 [324] “Zhu Wei: Ink’s Power”, forecast of the exhibition at Front Line Contemporary, Oriental Art . Master, China, first semimonthly issue of April 2010, p.21 [325] “Zhu Wei’s Exhibition in Shanghai”, with pictures of litho Comrade Captain No.3, hand-painted Woodblock No.11, silkscreen print China China and Utopia No.46, official website of China National Museum www.chnmuseum.cn, May 30 2010. [326] Catalogue Zhong Cheng Auction, introducing the bronze sculpture China China, Taiwan, June 2010, p.190-193, back cover [327] “Exhibition Synopsis: about Zhu Wei Solo Show”, art website www.artlinkart.com, China, 2010 [328] “Miserable Faith's MV finished, their road show will has more spotlight”, introducing the band’s MV In Bloom Fully Open directed by Zhu Wei, www.sina.com.cn, China, July 14 2010 [329] “Uncover the Red of the Forbidden City”, artist talking about Beijing, published in Modern Weekly, China, July 24 2010, p.F11 [330] Wu Ziru, “Ink Painting Today”, illustrated with the picture of ink painting Utopia No.57, published in Global Times, China, July 14 2010, p.16 [331] Zhu Wei, “Let Things Drift”, artist’s column article, Hi Art, China, July - August combined issue 2010, p.171 [332] Chris Devonshire-Ellis, “Chris Devonshire-Ellis on Art and Culture in Understanding China Business”, illustrated with the picture of ink painting Utopia No.59, published in web magazine China Briefing www.china-briefing.com, Hong Kong, 2010 [333] “‘Yaoshunyu Soup’ and ‘Bird & Fish Soup’----Viewing Ink and Wash Paintings of Zhu Wei” by Hao Ke, “Absurd Utopia-Zhu Wei and His Ink and Wash Art” by Yang Juan, illustrated with pictures of ink paintings China Diary No.22, Two Red Flags No.1, The Story of Beijing No.3, Vernal Equinox No.10, Comrade Caption No.3, Utopia No.46, The Heavenly Maiden No.12, Spring Herald No.3, Spring Herald No.2, Diary of the Sleepwalker No.25, published in Oriental Art . Master, China, ‘Cover People’ Column of the first semimonthly of August 2010, p.50-59 [334] “The Stepped Collection Recommended”, illustrated with the picture of ink painting Vernal Equinox No.22, published in Oriental Art . Master, China, the first semimonthly of August 2010, p.91 [335] “Zhu Wei Photo Gallery”, with 36 photos of the artist, published in Oriental Art . Master, China, first semimonthly of August 2010, p.153-159 [336] “The Charm of Journey to the 798 Art District”, with picture of bronze sculpture China China, China website d.lotour.com, August 26 2010 [337] “Zhu Wei”, introducing works of selected artists in Credit Suisse Today Art Award, with pictures of ink paintings The Heavenly Maiden No.12, The Story of Beijing No.3, Spring Herald No.3, China China, Two Red Flags No.1, published in catalogue Credit Suisse Today Art Award 2010, China, 2010, p.66-71 [338] Zhu Wei, “Guo Degang . Gun . Dream Project”, artist’s column article, Hi Art, China, September 2010, p.173 [339] “Silkscreen Print ‘Utopia No.46’”, with the picture of print Utopia No.46, published in China Business Times, China, October 15 2010, p.C11. [340] Zhu Wei, “Why I Don't Like Wotou”, artist’s column article, Hi Art, China, October 2010, p.175 [341] Zhu Wei, “Singapore Police (I)”, artist’s column article, Hi Art, China, November 2010, p.213 [342] Zhu Wei, “Singapore Police (II)”, artist’s column article, Hi Art, China, December 2010, p.173 [343] “2010 Credit Suisse Today Art Award - Zhu Wei”, with pictures of ink paintings Spring Herald No.1, Vernal Equinox No.3, Utopia No.57, published in Oriental Art . Master, China, first semimonthly December 2010, p.136-137 [344] “Zhu Wei: A Cautious, Inflexible, Ascetic Monk”, a conversation of cover story “China Bastard”, published in O’ZINE magazine, China, December 2010, p.110-111 [345] “Event: Monumental”, exhibition forecast, Asia Art Archive in America www.aaa-a.org, USA, 2010 [346] Zhu Zhu, “Post Tradition in Slices”, art website in China artron.net, December 26 2010. [347] Catalogue roundabout, is the catalogue for group exhibition "Roundabout" at City Gallery Wellington in 2010, New Zealand, and at Tel Aviv Museum of Art in 2011, Israel, with Zhu’s work STPI print New Pictures of the Strikingly Bizarre No.4, published by ArtAsiaPacific Publishing LLC., New York. There are two books of this series, Zhu’s work is in p.366-367 of one, and in p.189-191 of the other. [348] Zhu Wei, “Just Let it Fly One Day More (I)”, artist’s column article, Hi Art, China, January - February combined issue 2011, p.205 [349] Singapore travel information “Public Art Trail”, illustrated with the picture of fiberglass sculpture China China, Singapore website www.marina-bay.sg, 2011 [350] Zhu Wei, “Just Let it Fly One Day More (II)”, artist’s column article, Hi Art, China, March 2011, p.166 [351] Zhu Wei, “Just Let it Fly One Day More (III)”, artist’s column article, Hi Art, China, April 2011, p.190 [352] An Xi-xiang, “Zhu Wei: An Angry Youth, Director and Columnist Who Paints Ink and Wash”, photographed by Mei Yuangui, illustrated with pictures of ink painting The Story of Beijing No.3 & No.23, Go West No.1, Sweet Life No.1 & No.2, The Story of Beijing Album Series 2 No.1, Eggs under a Red Banner, New Positions of the Brocade Battle No.5, published in Hi Art, ‘cover story’ column, China, April 2011, p.112-123 [353] “Zhu Wei: Paintings & Prints”, forecast of exhibition at Tobin Ohashi Gallery in Tokyo, with the picture of ink painting Album of Vernal Equinox No.2, www.artinasia.com, 2011 [354] Robert Tobin, “The Art of Not Forgetting”, about art charity during the tsunami disaster in Japan, with the picture of ink painting HOLIDAYS No.2, The Diplomat the-diplomat.com, Japan, Aril 7 2011 [355] Lucy Birmingham, “Artists Step Up: Art Charities for the Tohoku Disaster”, with the picture of ink painting HOLIDAYS No.2, art website Artscape Japan www.dap.co.jp, Japan, April 1 2011 [356] “Contemporary Chinese Ink on Paper”, forecast of exhibition at Eli Klein Fine Art, art website www.artcat.com, USA, 2011 [357] Ulara Nakagawa, “Zhu Wei: On Art & China”, with picture of prints Utopia No.46, China China, The Diplomat the-diplomat.com, Japan, May 2 2011 [358] Zhu Wei, “If Spring Comes, Can Winter Be Far Behind？”, artist’s column article, Hi Art, China, May 2011, p.243 [359] C.B. Liddell, “Zhu Wei: Utopia”, reviewing Zhu’s Tokyo exhibition, with the picture of ink painting HOLIDAYS No.3, published in The Japan Times magazine and website japantimes.co.jp, Japan, May 12 2011 [360] “Zhu Wei: On Art & China”, May 11 2011, Chinese art website www.artron.net published the Chinese translation of the article written by Ulara Nakagawa and originally published in Japan website The Diplomat the-diplomat.com, May 2 2011 [361] “Zhu Wei - Tobin Ohashi Gallery - Tokyo”, exhibition review, with the picture of litho Comrade Captain, art website ART iT www.art-it.asia, Japan, May 20 2011 [362] Catalogue Zhong Cheng Auction, with pictures of fiberglass sculpture China China, Taiwan, June 12 2011, p.136-139 [363] Zhu Zhu, “The Absent Attendee”, Zhu Zhu is a Chinese art critic, with pictures of ink painting Eggs under a Red Banner No.1, Beside the Girls No.6, Racing Horse on a Rainy Night No.3, published in Oriental Art . Master, China,first semimonthly issue of May 2011, p.78-81 [364] Zhu Wei, “Being A Contemporary Artist For Two Weeks”, artist’s column article, Hi Art, China, June 2011, p.201 [365] “Contemporary Chinese Ink on Paper: Featuring Works of Six Contemporary Ink Artists”, exhibition review, with the picture of ink painting Two Red Flags No.5, published in Oriental Art . Master, China, first semimonthly issue of June 2011, p.15 [366] Song Rui, "Zhu Wei: Techniques and Materials Can Be Inherited, But Not Spirit." , Chinese art website www.99ys.com, May 17 2011 [367] Hanna Scott, “China’s contemporary art world”, Australia website: www.listener.co.nz, published on July 2, 2011 [368] South Korea website www.artmail.co.kr introduced in Korean Zhu Wei’s solo exhibition in Seoul, September 1, 2011 [369] Yu Haiyuan, “The New Utopia under the Red Flag - Zhu Wei’s Comment on Contemporary Ink-and-Wash Painting”, artist interview, with ink paintings The Story of Beijing No.3, Untitled No.4, Utopia No.46, New Positions of the Brocade Battle No.5, Two Red Flags No.4, Chinese art magazine KUART, September 2011, p.84-89 [370] Alfreda Murck, “Using the Past to Serve the Present -- Traditional Elements in the Art of Zhu Wei”, with ink paintings New Positions of Brocade Battle No.5, Sweet Life No.3, The Story of Letting Go No.1, Sweet Life No.2, The Strikingly Bizarre – Drunk Driving No.3, New Positions of Brocade Battle No.1, China Diary No.20, published in Oriental Art. Master, China, first semimonthly issue of Dec 2011, p.92-97 [371] Cover story “Choppy Auction, Who’s Up Who’s Out”, p.120, “New Ink Paintings”, Chinese art monthly Hi Art, Dec 2011 [372] “Art at Ritz Carlton”, Singapore travel website www.discoversingapore.org, with picture of fiberglass sculpture China China, 2011 [373] Photographed by Gilles Sabrie, photos of Zhu Wei’s bronze sculpture China China at Dashanzi 798 Art District is used as an introduction of this art area, www.onasia.com, 2011 [374] “I’ll Be Your Mirror – Portraits of Artists by Virgile Simon Bertrand”, photography exhibition forecast, with Zhu Wei’s photo by Bertrand, www.dioramaprojects.squarespace.com, March 16 2011 [375] “Zhu Wei Solo Exhibition”, forecast of Zhu Wei’s solo exhibition in Tokyo, with pictures of ink painting HOLIDAYS No.2 and print Utopia No.46, Japanese magazine Art Collector, May 2011, p.99-100 [376] Catalogue Philosophical Intepretations of Painting – The Exhibition of Contemporary gongbi Painting, with pictures of ink paintings Untitled No.4, Festival No.10, Beijing Story No.3, Utopia No.46, Album of Vernal Equinox No.1 & No.2, Utopia No.48, published by Jiangxi Fine Art Publishing House, November 2011, p.181-196 & 219 [377] Andrew Myers, “Art Journey through Singapore Marina Bay”, Singapore website www.thefastertimes.com, January 26 2012 [378] Cover People of China art magazine Chinese Painting . Oriental Art, published Li Xiaoshan’s article “Zhu Wei”, Alfreda Murck’s article “Using the Past to Serve the Present --Traditional Elements in the Art of Zhu Wei”, and an interview with Chinese Painting’s journalist Deng Xin “Tradition into Reality”. With pictures of Zhu Wei ink painting Utopia No.46, Album of Vernal Equinox No.10, China China, Vernal Equinox No.15, Utopia No.48, Spring Herald No.1, Spring Herald No.6, Spring Herald No.8, Untitled No.2, Spring Herald No.3, Great Water No.15, Great Water No.24, Festival No.9, Festival No.10, Spring Festival No.10, Untitled No.3, Vernal Equinox No.12, Vernal Equinox No.16, Vernal Equinox No.13, Landscape derivative from Bada’s brush style, Portrait No.2 derivative from Bada’s landscape brush style and the embryo of Beijing Story, China Diary No.54, Beijing Story Colorful Sketch No.3, Sweet Life No.21, Utopia No.57, Racing Horse at A Rainy Night No.3, Descended from the Red Flag No.1, China Diary No.51, Supreme Treatise On Moral Retribution No.16, Diary of the Sleepwalker No.25, China Jazz No.5, Square No.9, China Jazz No.9, The Story of Beijing Album Series 2 No.1, New Positions of the Brocade Battle No.5, Beijing Story No.3, Beijing Story No.8, Comrade Captain No.3, Beijing Story No.1, Utopia No.59, and print work New Pictures of the Strikingly Bizarre No.2, January 2012 issue, p.1-2 &p.10-53 [379] China Zhong Guo Yan Shi Publication House published Wang Kai’s book Wen Yi Fan (Literature and Art Criminal), with Zhu Wei’s ink painting Vernal Equinox No.15 as cover and back cover design, published in March 2012, China [380] Kang Baxin, “Zhu Wei: I Will Always Be A Punk”, with pictures of Zhu Wei’s ink painting Utopia No.48 (cover), and print New Pictures of the Strikingly Bizarre No.2, Chinese art mangazine Art and Design Supplement, March 2012, p.92-95 & Cover [381] Tokyo American Club’s official website published the forecast of Zhu Wei’s exhibition at Frederick Harris Gallery, which is at the club’s building, www.tokyoamericanclub.org, March 2012 [382] Angela Levine, “Face to Face at Tel Aviv Museum”, with picture of Zhu Wei’s aluminum sculpture China China, www.midnighteast.com, March 4 2012. [383] Qiu Jiahe, “New York Asia Week Brings Chinese Scholar Exhibition”, ShangHai Securities News, China, March 10 2012. [384] Jian Feng, “Zhu Wei: Ink Space”, with photos of artist’s studio, Chinese version of Bazaar Man’s Style, April 2012, p.288-293 [385] “The Chinese Scholar Ink Paintings and Works of Art in the Asia Week New York”, exhibition review, Chinese art website www.artron.net, April 16 2012 [386] Zhou Xuesong, “Zhu Wei: Preparing Another Breakthough”, with pictures of ink painting Beijing Story No.3, Vernal Equinox No.3, Vernal Equinox No.12, Chinese art magazine Oriental Art. Master, April 2012, p.58-59 [387] Gao Shiming, “Modern & Contemporary Chinese Art – Zhu Wei”, describing Zhu Wei and his two ink paintings collected by Williams College Museum of Art, official website of WCMA wcma.williams.edu, USA, 2012. [388] Wang Jing, “The Persistence and Exploration of Contemporary Ink Wash”, Oriental Art . Master, April 24 2012. [389] Zheng Xiaofeng, “Is it an another page for contemporary ink painting?”, Chinese art website artron.net, China, April 26 2012. [390] Gao Jing, “Interviewing the poster designer of Midi Music Festival Zhu Wei: How Rock and Roll Influences Reality”, arts.cul.sohu.com, China, April 28 2012. [391] “Beijing Midi Music Festival 2012”, with picture of the festival’s poster, music website www.rockinchina.com, China, 2012. [392] Wang Jing, “The Insistence and Exploration of Contemporary Ink”, Chinese art magazine Oriental Art . Master, April 2012. [393] Deepika Shetty, “Auction preview in a museum”, report the Christie’s exhibition at the Art Science Museum, Singapore newspaper The Straits Times, May 3 2012. [394] “Art Beijing 2012”, with aluminum sculpture China China, China website artradarjournal.com, May 5 2012. [395] Deepika Shetty, “Art Auction Take in 2m”, with picture of aluminum sculpture China China, Singapore newspaper The Straits Times, May 8 2012, p.C11. [396] Rob Goss, “Great Places to Hang in Tokyo – Our pick of the Japanese capital’s edgy gallery scene”, Time Magazine, USA, May 14 2012. [397] Zheng Xiaofeng, “Contemporary Ink Painting: the low-lying land waiting to be collected”, art website artron.net, China, May 14 2012. [398] “The Market of Contemporary Ink Painting: Spring is Coming”, Nantong art website www.ntshys.com, China, May 16 2012 [399] “Greenberg Van Doren at ART HK 2012”, Greenberg Van Doren gallery’s official website www.gvdgallery.com, May 17 2012. [400] “Modern and Contemporary Ink Painting Thirty Years”, Chinese art website www.artron.net, with picture of ink painting Vernal Equinox No.15, May 22 2012. [401] “Zhu Wei”, forecast of Zhu’s solo exhibition in Tokyo, with picture of ink painting Holidays No.3, Hong Kong art magazine Artasiapacific, May / June issue of 2012. [402] “Mee Seen Loong – The Oversea Promoter of Contemporary Ink Wash”, China art magazine Oriental Art . Master, May issue 2012, p.28. [403] “China First Ink Painting Auction at Guardian”, China art magazine Oriental Art . Master, with picture of ink painting Vernal Equinox No.20, May issue 2012, p.32. [404] Jian Feng, “Zhu Wei; Ink Painting & Rock and Roll”, Chinese version of Better Homes and Gardens, China, June issue of 2012, p.164-168. [405] “The Boat of 2012 ‘Aussino Cup’ Annual Nomination Exhibition for Students of Contemporary Art Academies Prize List announced”, official website of Central Academy of Fine Art www.cafa.com.cn, China, July 30 2012. [406] “China Guardian 2012 Spring Auction got 2.06 billion”, art website artron.net, China, 2012. [407] Zhu Wei, “This is the final struggle”, special column, China art magazine Hi Art, July and August conbined issue of 2012, p.22. [408] Lin Lin & Guo Xiaohao, “Can Contemporary Ink Wash Save the Chinese Art Market”, China newspaper Guangzhou Daily, August 6 2012, p.B1 [409] “The Rise of Contemporary Chinese Ink”, “Zhu Wei: Chinese Ink Reflects Social Reality”, with picture of Zhu’s painting Vernal Equinox No.20, Utopia No.46, China art magazine Contemporary Art, September issue of 2012, p.42 & p.49. [410] Zhu Zhu, “Inscription in This Era”, and Zhu Wei, “Why I Paint”, with picture of ink painting The Story of Beijing Album Series 2 No.1, Sweet Life No.1, New Positions of the Brocade Battle, No.1, Portrait No.1 derivative from Bada’s landscape brush style, the embryo of Beijing Story, [411] Zhu Wei, “My view of Chinese ink”, China art magazine Hi Art, September issue of 2012, p.28 [412] “Five Artists’ Joint Exhibition of Contemporary Gongbi will open at Poly Art Museum soon”, with ink painting Vernal Equinox No.3, Spring Herald No.5, Poly’s official website, www.polypm.com.cn, China, September 25 2012 [413] Catalogue Five Artists’ Joint Exhibition of Contemporary Gongbi, with picture of ink painting Vernal Equinox No.3, Vernal Equinox No.17, Two Red Flags No.4, Two Red Flags No.6, Two Red Flags No.5, Spring Herald No.5, Spring Herald No.8, Vernal Equinox No.12, published by Poly Art Museum, September 2012. [414] “Serene Scent: New Ink Painting is held at Red Gate gallery”, with picture of ink painting Album of Vernal Equinox No.9, China art website www.artron.net, October 15 2012. [415] Catalogue Serene Scent: New Ink Painting, with picture of ink painting Album of Vernal Equinox No.11, published by Red Gate Gallery, October 2012, Beijing. [416] Catalogue Biennale Italia –Cina NaturaLmente, with picture of ink painting Two Red Flags No.1, p.151, published by Maretti Editore, October 2012, Italy. [417] Lu Xiaofan, “ART TAIPEI Transfiguration Story”, China art website www.artron.net, November 11 2012. [418] Catalogue RE-INK Invitation Exhibition of Contemporary Ink and Wash Painting 2000-2012, chief editor Fu Zhongwang, published by Hubei Fine Art Publishing House, December 2012 [419] Patricia Eichenbaum Karetzky, “Chinese Contemporary Art. Uses and Reuses of the Past”, the author is art history professor of Lehman academy of City University of New York, with ink painting Comrades, www.asian-studies.org, 2012 [420] “Zhu Wei’s Solo Exhibition will be Held at Singapore MOCA”, with pictures of ink painting The Ink and Wash Research Lectures series, Hills Beyond A River, China website www.sina.com, December 2 2012 [421] “Zhu Wei Solo Exhibition will land on Singapore Museum of Contemporary Art”, with pictures of exhibited works, China website topic.artron.net, December 21 2012 [422] Guo Maodou, “Being Traditional and Contemporary at the Same Time – Zhu Wei’s Solo Exhibition opens at Singapore MOCA”, with pictures of new ink painting Hills Beyond A River, The Ink and Wash Research Lectures series, Study of People series, China art website www.99ys.com, December 21 2012 [423] Lu Hong, “The Successful Integration between the Tradition and the Contemporary – An Interpretation of Zhu Wei’s Artistic Pursuit”, China art website www.artron.net, December 21 2012 [424] Wang Hongzhou, “Zhu Wei: Cut Into Contemporary Art through Ink and Wash”, with seven pictures of The Ink and Wash Research Lectures series and Hills Beyond A River, China magazine Oriental Art . Master, December 2012, p.100-103 [425] Teng Kun, Cover Story “Zhu Wei: Out Of Office”, with pictures of print New Pictures of the Strikingly Bizarre, bronze sculpture China China, ink painting The Ink and Wash Research Lectures series, for of Hills Beyond A River, Album of Vernal Equinox No.2, Curtain No.8, China magazine Hi Art, December 2012, p.130-141 [426] “Zhu Wei’s Solo Exhibition at MOCA”, Singapore MOCA official website www.mocaloewen.sg, January 5 2013 [427] Zhang Yating, “Alert on the Unrealistically High Prices of Contemporary Ink”, China newspaper Beijing Times, January 9 2013 [428] Liu Yang, “Zhu Wei’s Solo Exhibition Reviews 7 Years Ink Creation”, with picture of ink painting Study of People, China newspaper Beijing Business Today, January 11 2013. [429] “Art Stage 2013”, with picture of Zhu Wei’s ink painting Vernal Equinox No.20, Singapore The Straits Times, January 17 2013 [430] “Zhu Wei’s Solo Exhibition at Singapore MOCA”, Singapore website www.artrepublic.sg, January 17 2013 [431] Wang Jin, “New Ink Counter Attack”, Chinese Art Newspaper, January 18 2013 [432] “Zhu Wei’s Solo Exhibition at Singapore MOCA”, Singapore website www.comesingapore.com, January 27 2013 [433] “Zhu Wei’s Solo Exhibition at Singapore MOCA”, Singapore website www.insing.com, January 27 2013 [434] “The Beauty of Blandness”, with picture of ink painting The Ink and Wash Research Lectures series, Singapore website sg.lifestyleasia.com, January 27 2013 [435] “Zhu Wei’s Solo Exhibition at Singapore MOCA”, Singapore website www.expatrealtor.net, January 27 2013 [436] “Zhu Wei’s Solo Exhibition at Singapore MOCA”, Singapore website www.myarttracker.com, January 27 2013 [437] “Singapore Art Stage 2013 VIP Events – Zhu Wei MOCA Solo Show”, Singapore Art Stage official website www.artstagesingapore.com, January 27 2013 [438] Wu Qiji, “Chinese Painter Zhu Wei: Thoughts Behind Red Curtains”, Singapore Lianhe Zaobao, January 29 2013, p.3 [439] “Zhu Wei Solo Exhibition at Singapore MOCA”, Indonesia newspaper Indopos (English), January 31 2013 [440] “Zhu Wei Solo Exhibition at Singapore MOCA”, Indonesia newspaper Bisnis Jakarta (Indonesian), January 31 2013 [441] “Zhu Wei Solo Exhibition at Singapore MOCA”, Indonesia newspaper International Media (Indonesian), January 31 2013 [442] “Singapore MOCA held Chinese Famous Painter Zhu Wei’s Solo Exhibition”, Indonesia newspaper Business Newspaper (Chinese), January 31 2013 [443] “Singapore Museum of Contemporary Art Held Zhu Wei’s Solo Ink Painting Exhibition”, Indonesia newspaper Sin Chew Daily (Chinese), January 31 2013 [444] Liao Zijian, “Singapore Museum of Contemporary Art Represents Zhu Wei’s Solo Ink Wash Exhibition”, Indonesia Sin Chew Daily, January 31 2013 [445] “Zhu Wei Solo Exhibition will be held in Singapore”, with picture of ink painting Hills Beyond A River, China magazine Collection and Investment Guide, January 2013, p.12. [446] Catalogue ZHU WEI: Works 1988-2012, 379 pages, essays by Lu Hong, Zhu Zhu, Britta Erickson, Sandro Orlandi, Li Xiaoshan, Alfreda Murck, Geremie R. Barme, Zhang Chaohui, Xenia Tetmajer Von Przerwa, softcover, published by China Today Art Museum Publishing House, January 2013 [447] “2013 TOP 100 ARTISTS”, China magazine Hi Art, January and February combined issue 2013, p.131 [448] “Zhu Wei’s Solo Show will come to Jakarta in March”(Indonesian), with two of ink painting Hills Beyond A River, Indonesia website kabar24.com, February 7 2013. [449] Mei Qi, “Ink Painting in the Context of Contemporary Art”, China website www.artron.net, February 19 2013. [450] Zhou Xiao, “Zhu Wei: A Distant Keeper”, with pictures of ink painting Racing Horse on A Rainy Night No.2, South Sea No.1, China Diary No.48, The Mighty No.1, Album of Vernal Equinox No.17, China newspaper Beijing Business Today, February 22 2013, p.B1-B2. [451] Zeng Yan, “Drawing Fine Brush Painting while Listening to Rock Music”, with pictures of ink painting Hills Beyond A River, Ink and Wash Research Lectures series, Spring Herald No.8, Utopia No.7, Vernal Equinox No.3 & 15, China magazine Sanlian Lifeweek Magazine, February 25 2013, p.110-113 [452] “AAC ART CHINA 2013 Ink Painter Nomination: Zhu Wei”, China website www.hexun.com, March 4 2013. [453] “Zhu Wei: Ink Wash Reflects Social Reality”, with picture of ink painting Utopia No.46, China contemporary art website www.zcom.com, March 13 2013 [454] Lu Kefei, “Mee Seen Loong: It’s still early to set up a special auction for New Ink”, China magazine Hi Art, March 15 2013. [455] “The Asian Art Museum of San Francisco: Collection Ten”, with picture of ink painting Supreme Treatise on Moral Retribution, No.15, Quizlet.com, March 30 2013. [456] Xu Yuling, “Ink Painting with Rebellious and Rock 'n' Roll Spirits - Zhu Wei, Contemporary Chinese Artist”, with pictures of ink painting Supreme Treatise On Moral Retribution No.3, Tight Rope No.5, Supreme Treatise On Moral Retribution No.16, Racing Horse on A Rainy Night No.1, The Ink and Wash Research Lectures series, Hills Beyond A River, My Story No.2, Taiwan magazine Artist, March 2013, p.200-203. [457] Wang Zhen, “Zhu Wei: Keeping Up With Reality”, with picture of ink painting Ink and Wash Research Lectures series, China magazine Contemporary Art, March 2013, p.32-33 [458] “RE-INK at Today Art Museum in April”, with ink painting Ink and Wash Research Lectures series, Today Art Museum official website www.todayartmuseum.com, China, March 2013. [459] “Zhu Wei’s Solo Exhibition in Singapore”, with picture of ink painting Hills Beyond A River, China magazine Oriental Art . Master, March 2013, p.14. [460] “Zhu Wei”, about J. Bastien Art gallery brings Zhu Wei’s artwork to Art Paris 2013, with picture of aluminum sculpture China China, Art Paris official website www.artparis.fr, March 2013 [461] Catalogue SHUIMO, published by New York Sotheby’s, with two pictures of The Ink and Wash Research Lectures series, March 2013, p.108-113. [462] Lu Kefei, “RE INK Beijing Station”, with pictures of ink painting Hills Beyond A River, Utopia No.46, China magazine Hi Art, April 2 2013. [463] Luo Shuyin, “RE-INK: Invitational Exhibition of Contemporary Ink and Wash Painting 2000-2012 open at Today Art Museum”, China website www.artron.net, April 2 2013. [464] “RE-INK Beijing Station”, with pictures of ink painting Utopia No.46, Hills Beyond A River, Hong Kong newspaper Ta Kung Pao, April 3 2013. [465] Inta Liepa, “Art Paris 2013”, with Zhu Wei’s aluminum sculpture China China, European website www.arterritory.com, April 2013 [466] Cao Dingding, “Zhu Wei: Behind of Your Time”, with pictures of bronze sculpture China China and China China No.2, aluminum sculpture China China, ink painting The Ink and Wash Research Lectures series, Hills Beyond A River, China magazine Art Guide, April 2013, cover & p.14-19. [467] Wang Xiaomeng, “Zhu Wei: The Nongovernmental New Ink Painter”, with pictures of ink painting Vernal Equinox No.20, The Ink and Wash Research Lectures series, Hills Beyond A River, etc., China version of L’OFFICIEL Art, April 2013, p. 80-83 [468] “Quiet Tides Enable Day’s Sleep, Woken to Realize Rising Waves at Night—On Art of Song Dynasty” by Zhu Wei, cover story “N Reasons for New Ink being the Protagonist”, “Zhu Wei: Tradition is a Burden and a Treasure” by Lu Kefei, “Short Transition or Lasting Booming?” by Li Ming, “The Most Valuable New Ink Painters”, “Is the Chance for New Ink Coming?”, with picture of ink painting The Ink and Wash Research Lectures series, China magazine Hi Art, April 2013, p.25, 102, 113, 123, 128, 132. [469] Gao Zuxian, “Zhu Wei: The Proposition and Contrapositive of Utopia”, with picture of ink painting Utopia No.59, China website www.artron.net, May 14 2013. [470] Pei Gang, “Survey on Hong Kong Basel Art Fair: European Art Fair's Expansion in Asia”, China website www.artron.net, May 24 2013 [471] “Hotels for Art Lovers”, canvaslot.com, May 31 2013 [472] Wang Hongzhou, “Zhu Wei: Never mistake Imitation as Exporting”, with picture of ink painting Study of People, China magazine Oriental Art . Master, May 2013, p.56 [473] “Hills Beyond A River”, with picture of ink painting Hills Beyond A River, China magazine Oriental Art . Master, June 2013, p.5 [474] Wu Erxian, “Black Sheep of New Ink Gradually Formed”, China website news.xqnwh.com, June 13 2013 [475] Wang Yin, “Interview Zhu Wei: We are Two Decades behind the West in Accepting Contemporary Ink Wash Painting”, China website www.99ys.com, June 25 2013. [476] “Thirty Years of Contemporary Ink Wash”, China newspaper The Beijing News, July 10 2013, p.C04 [477] “Confluence: An Exhibition by the Art Galleries Association Singapore”, Singapore website theedgegalerie.com, July 19 2013 [478] David Strom, “David Strom Dishs about China China”, with picture of bronze sculpture China China collected by Gateway Foundation, USA website typepad.com, July 31 2013 [479] “Philosophical Interpretations of Painting - Present Expression of Chinese Paint”, with picture of ink painting Hills Beyond A River, China website www.artron.net, August 16 2013 [480] Pei Gang, “Contemporary Ink and Wash Paintings Research No. One: Changes, Ink and Wash and Anxiety of Chinese Identity”, with picture of ink painting China China, China website www.artron.net, August 18 2013 [481] Pei Gang, “An Exclusive Interview with Zhu Wei: Market Should Center on Tens of Millions of Regular Collectors”, with picture of ink painting The Ink and Wash Research Lectures series, China website www.artron.net, August 19 2013 [482] Pei Gang, “Rheological: An Experiment from Single Standard to Multiple”, China website www.artron.net, August 19 2013 [483] Pei Gang, “The Dust and Noise on the Topic of ‘Ink’”, China website www.artron.net, August 19 2013 [484] Pei Gang, “Rheological: The Contemporary Art Market in Transition”, China website www.artron.net, August 19 2013 [485] Zhou Xuesong, “Contemporary Ink and Wash Painting Research No. Five: The Western Promoter of Chinese Contemporary Ink and Wash”, with picture of sculpture China China, etc., China website www.artron.net, August 23 2013 [486] Xia Kejun, “The Emptiness, Materialization and Silence in New Meticulous Painting”, China website www.artron.net, August 23 2013 [487] Artron Analyst, “Contemporary Ink and Wash Painting Research No. Six: The Cultivation and Establishment of Contemporary Ink Collection System”, with picture of ink painting The Ink and Wash Research Lectures series, China website www.artron.net, August 25 2013 [488] “Philosophical Interpretations of Painting - Present Expression of Chinese Paint at National Art Museum”, China website www.artron.net, August 29 2013 [489] Zhou Xuesong, “Contemporary Ink and Wash Painting Research No. Ten: Hot Money Comes In, Foam or Hard Currency?”, with picture of ink painting Utopia No.46, China website www.artron.net, August 29 2013 [490] “Exhibition ‘Philosophical Interpretations of Painting - Present Expression of Chinese Paint’ Opens”, official website of National Art Museum of China www.namoc.com, August 29 2013 [491] “Contemporary Meticulous Painting Breaks Conventional Wisdom”, with picture of ink painting The Ink and Wash Research Lectures series, China website qianlong.com, August 29 2013 [492] Liao Dongyun, “Meticulous Painting Fever Comes to China National Art Museum Again”, China magazine Hi Art, August 30 2013 [493] “Exhibition ‘Philosophical Interpretations of Painting - Present Expression of Chinese Paint’ Opens in Beijing”, China website art.com.cn, August 30 2013 [494] Zhou Yongliang, “National Art Museum Represents ‘Philosophical Interpretations of Painting - Present Expression of Chinese Paint’”, with picture of ink painting The Ink and Wash Research Lectures series, China website www.artron.net, August 30 2013 [495] “Collection Catalogue of Wellesley College Art Museum”, with picture of ink painting Festival No.10, official website of Wellesley College wellesley.edu, August 2013 [496] “Investigate Things to Extend Knowledge – Contemporary Statements of Chinese Meticulous Painting 2013”, official website of National Art Museum of China www.namoc.com, September 11 2013 [497] “In Investigation on Autumn Auction: A Test of Contemporary Ink Market”, China website, www.artron.net, October 8 2013 [498] “The End of Poly 2013 Autumn Auction”, China website, www.artron.net, October 8 2013 [499] Dong Xiaoshuai, “The Mix of Contemporary Ink Wash Special Auction at Hong Kong Autumn Auction”, China website, www.artron.net, October 8 2013 [500] Zheng Xiaofen, “Ink Wash Painting Special Auction: The Market Experiments of Experimental Ink Wash”, with picture of ink painting The Ink and Wash Research Lectures series, , China website, www.artron.net, October 8 2013s [501] “Will Contemporary Chinese Ink and Wash Become Collector’s New Darling?”, Chinese version of Wall Street Journal cn.wsj.com, October 9 2013 [502] Guo Xiaohao, “The Fineness of Contemporary Ink Wash is still Questioned by Art Circle”, China newspaper Guangzhou Daily, October 15 2013, p.AII3 [503] Wang Kewang, “Contemporary Ink Wash becomes the New Name Card of Chinese Art”, with picture of ink painting The Ink and Wash Research Lectures series, China website www.artron.net, October 15 2013 [504] “Why Autumn Auction in Hong Kong Always Brings Us Good News?”, China magazine Collection Investment Guide, October 28 2013 [505] Qiu Hua, cover artist “Zhu Wei: When The Ink With The Times”, with 4 pictures of ink paintings The Ink and Wash Research Lectures series, China newspaper Chinese Estates Newspapr, October 28 2013, p.D1 & D5 [506] “Interview with Lu Hong and Sun Zhenhua: The Contemporary Meaning of New Ink”, China Art International website artintern.net, October 29 2013 [507] “Zhu Wei Solo Exhibition”, Today Art Museum October to December Events, with 6 pictures of ink paintings The Ink and Wash Research Lectures series, published by Today Art Museum publishing house, China, October 2013, p.230-233 [508] Wang Zhen, “Philosophical Interpretations of Painting - Present Expression of Chinese Paint”, with picture of ink painting The Ink and Wash Research Lectures series, China magazine IART, October 2013, p.16 [509] “The Eighth Chinese Songzhuang Art Festival Kicked Off Again”, China Art International website artintern.net, November 1 2013 [510] Pei Gang, front page of artron “An Investigation of Art People - Zhu Wei: Contemporary Ink Wash is not Corpses of Traditional Ink Wash Coming to Life”, with pictures of ink painting Portrait No.1 derivative from Bada’s landscape brush style, the embryo of Beijing Story, Ink and Wash Research Lectures series, Utopia No.46, Curtain No.8, Festival No.10, China website www.artron.net, November 1 2013 [511] Song Lei, “Hong Kong Auction Turnover Is Over Hundreds of Millions”, China newspaper Changjiang Ribao, November 1 2013 [512] “Contemporary Ink Painter Zhu Wei’s Solo at Today Art Museum”, with picture of ink painting Utopia No.46, The Ink and Wash Research Lectures series, China website www.sina.com.cn, November 1 2013. [513] Wang Yin, “The Finale Exhibition ‘Zhu Wei Solo Exhibition’ will Open at Today Art Museum”, China website 99ys.com, November 2 2013 [514] Feng Yu, “Does New Ink Mature Itself Or Capital Choose It”, with with picture of ink painting The Ink and Wash Research Lectures series, China newspaper Information Times, November 3 2013, p.A24 [515] Luo Shuyin, “Today Art Museum Represents Zhu Wei’s Years of Artistic Creation in a Documentary Form”, with pictures of ink painting Sweet Life No.1, Utopia No.46, China China, China website www.artron.net, November 3 2013 [516] “Zhu Wei Solo Exhibition”, with 23 paintings of the solo exhibition, China Today Art Museum official website todayartmuseum.com, November 3 2013 [517] “Zhu Wei Solo Exhibition”, with picture of The Ink and Wash Research Lectures series, China English website www.thebeijinger.com, November 3 2013 [518] Chen Yaojie, “The Finale Big Exhibition at Today Art Museum Charts A Chronological Path to Zhu Wei Creation”, China website www.99ys.com, November 3 2013 [519] Pei Gang, “The Individualization Trends of Contemporary Ink Wash: An Investigation of Zhu Wei”, China website www.artron.net, November 4 2013 [520] Pei Gang, “Pursuit of Cultural Identity: Ink Wash Artist Zhu Wei”, China website www.artron.net, November 4 2013 [521] “Paintings of Contemporary Ink Painting Pioneer Zhu Wei”, with 23 paintings of the solo exhibition at Today Art Museum, China website www.ifeng.com, November 4 2013 [522] “Solo Exhibition of Contemporary Ink Painting Pioneer Zhu Wei Opens at Today Art Museum”, China website www.sohu.com, November 4 2013 [523] Special page of Zhu Wei’s solo exhibition, “The Re-Sinicize of Contemporary Art”, China website www.artron.net, November 4 2013 [524] “Contemporary Ink Painter Zhu Wei’s Solo Exhibition will Open at Today Art Museum”, with picture of ink painting Portrait No.1 derivative from Bada’s landscape brush style, China website www.ifeng.com, November 4 2013 [525] “Unlimited Potential of The Untapped Contemporary Ink Wash Market”, China newspaper Hainan Daily, November 4 2013 [526] “A Pioneer’s Retrospective – Zhu Wei’s Solo Exhibition at Today Art Museum”, China art magazine Hi Art, November 2013 [527] Li Jianya, “Zhu Wei: ‘Cultural Renaissance’ by Using Ink”, with pictures of painting Untitled No.4, Sweet Life No.21, China newspaper The Beijing News, November 5 2013, p.C12-13 [528] Mino, an interview with the chief curator of Today Art Museum, “Gao Peng: Zhu Wei’s Solo Exhibition, We pay more attention on the history under the artist’s halo”, China website www.wallart.cn, November 5 2013 [529] Luo Shuyin, “Watching Exhibition with Artron: Zhu Wei Solo Exhibition at Today Art Museum”, with pictures of 23 exhibited ink paintings, China website www.artron.net, November 5 2013 [530] Mino, “An Interview with Zhu Wei: Everyone Is A Bystander”, with picture of ink painting China China, China website www.wallart.cn, November 5 2013 [531] Mino, an interview with the curator, “Zhu Zhu: Documentary Evidences of Zhu Wei’s Solo Exhibition”, China website www.wallart.cn, November 5 2013 [532] Li Changwei, “Zhu Wei Solo Exhibition –Contemporary Ink Wash is not Corpses Coming to Life of Traditional Ink Wash”, with picture of ink painting China China, China newspaper Nandu Daily, November 6 2013 [533] Sue Wang, “Representative Ink Paintings By Zhu Wei Presented by Today Art Museum”(English), with pictures of 23 exhibited ink paintings, China Central Academy of Fine Arts official website www.cafa.com.cn, November 6 2013 [534] Wu Chenggui, “Why Contemporary Ink Wash Is Rare in Fine Art Powerhouse Xi’An”, with picture of ink painting Vernal Equinox No.3, China website www.hsw.cn, November 6 2013 [535] Li Hongyu, “Ink Painting Cannot Always Be About Cabbage Or Radish”, with picture of ink painting Vernal Equinox No.3, China newspaper Southern Weekly, November 7 2013, p.D26 [536] Xiao Xiong, “Zhu Wei's Artwork Interprets Ink Wash Exploration”, China newspaper Chinese Art Newspaper, November 8 2013, p.5 [537] Feng Manyu, “Is It Time for Contemporary Ink Wash to Occupy Market”, with picture of ink painting The Ink and Wash Research Lecture series, China website www.99ys.com, November 9 2013 [538] Xu Peimu, “Is Contemporary Ink Wash Really Hot?”, China newspaper Information Times, November 10 2013, p.A28 [539] Bi Xi, “Zhu Wei Solo Exhibition at Today Art Museum”, with picture of ink painting China Diary No.54, China newspaper Chinese Culture Reported, November 11 2013 [540] Wang Yin, Super Interview “Zhu Wei: Contemporary ink and wash should be counterpoint to reality”, with picture of ink painting Story of Beijing No.3, Utopia No.46, Untitled No.4, The Ink and Wash Research Lectures series, China website www.99ys.com, November 2013 [541] Deng Xin, “An Interview with Zhu Wei: Paintings should not be divorced from reality”, China magazine Oriental Art . Master, November 2013 [542] Chen Tingting, “On What The New Ink Attracts Collectors”, China Business website www.zgswcn.com, November 13 2013 [543] “Contemporary Ink Paintings Snatch Top-ranking Auctions”, China website www.people.com.cn, November 14 [544] Yang Jun, “Zhu Wei: A Loyal Supporter of Ink and Wash Paintings”, with 6 pictures of ink paintings The Ink and Wash Research Lectures series, Chinese version of VOGUE, November 2013, p. 383, p.398-401 [545] Li Xueyi, “Zhu Wei, Using Traditional Ink To Tell Modern Stories”, with pictures of ink painting Hills Beyond A River, The Ink and Wash Research Lectures series, China magazine Oriental Art . Master, November 2013, p.58-61 [546] “Zhu Wei: Using Ink and Wash To Intervene Life”, China magazine Lets Weekly, December 2 2013
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